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  1. Sep 30, 2024 · Mannerism, artistic style that predominated in Italy during the 1520s to the 1590s. Such Mannerist artists as Parmigianino and Jacopo da Pontormo evolved a style characterized by artificiality and artiness, by a cultivation of elegance and technical facility, and by a sophisticated indulgence in the bizarre.

  2. en.wikipedia.org › wiki › MannerismMannerism - Wikipedia

    The definition of Mannerism, and the phases within it, continues to be the subject of debate among art historians. Northern or Antwerp Mannerism predates and is distinct from Italian Mannerism. Antwerp during its 16th-century boom produced a style that was the last phase of Early Netherlandish painting with Early Renaissance elements.

    • The Timeline of The Mannerism Art Period
    • The History of The Mannerism Period
    • Characteristics of The Mannerism Art Period
    • Mannerist Artists
    • The Lasting Influence of The Mannerism Art Period

    The Mannerism art period occurred between 1520 – 1600 in Europe and North America. It was preceded by the High Renaissance period (1490-1527) and succeeded by the Baroque period (1600-1750). The evolution of Mannerism can be divided into three main phases: 1. Initial Phase (1520-1560): This phase began with artists such as Michelangelo, Andrea del ...

    The Mannerism period began in the late 16th century and was marked by a move away from the harmony and idealistic beauty of High Renaissance art, that had been inspired by the classics studies of Greek and Roman Humanist art. It drew a link between the idealistic nature of High Renaissance and the theatricality of Baroque paintings. This stylistic ...

    Mannerism was an art style that focused on artificiality, elegance, personal expression and sophistication rather than the naturalism and balance of classical art styles. Mannerist painters created elongated figures and unnatural colour schemes to create a sense of tension in the composition. The palette used during this period was darker than the ...

    Several renowned artists emerged during this period including Pontormo, Parmigianino, Perino del Vaga, Tintoretto and Bronzino. They are considered among the masters of Mannerism art. Pontormo was known for his vibrant hues and dynamic poses that express emotion and movement. While Parmigianino’s works were characterised by classical themes combine...

    The Mannerism art period was a pivotal time in the history of art and has had a lasting influence on later generations of painters. It marked a significant departure from the Renaissance tradition, focusing more on expressionism and emotional intensity. Mannerist paintings often featured elongated figures, dynamic poses, complex compositions and in...

  3. www.tate.org.uk › art › art-termsMannerist - Tate

    Mannerist is a sixteenth century style of art and design characterised by artificiality, elegance and sensuous distortion of the human figure. Mannerism is the name given to the style followers of Raphael and Michelangelo from around 1520–1600. Mannerist artists were influenced by, but also reacted to, the work of the Renaissance masters.

  4. Summary of Mannerism. Mannerism launched a highly imaginative period in art following the climax of perfection that naturalistic painting had reached in Renaissance Italy. Artists in 16 th century Florence and Rome started to veer from classical influences and move toward a more intellectual and expressive approach.

  5. Mannerism is an artistic style that emerged in the late Renaissance, characterized by elongated forms, exaggerated poses, and complex compositions that convey a sense of tension and instability. This style marked a departure from the balanced harmony and naturalism of High Renaissance art, emphasizing individual expression and the artist's interpretation of reality.

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  7. artuk.org › discover › art-termsMannerism - Art UK

    Mannerism. A confusing term, subject to radically different interpretations but generally used to describe the art in Italy which directly succeeded that of the Renaissance and preceded the Baroque. Its first widespread use, in the 17th century, was pejorative, implying an over-elaborate distortion, an imbalance, and a neurosis first discerned ...

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