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The divertissement in the following act operates on a different principle, one that uses parallel structures to cumulative effect. After the failure of the games honoring Junon, Persée has volunteered to try to kill Méduse.
- Rebecca Harris-Warrick
- 2016
Apr 14, 2017 · A divertissement is generally understood as something that interrupts time and distracts the subject from his real preoccupations. The spectacle or show is the privileged emblem of the divertissement structure.
The most prevalent form of music-hall ballet was the divertissement. It was the first type of ballet to be adopted by the Folies-Bergère in the early 1870s, and it remained the hall's primary choreographic genre for nearly twenty years.
The first movement begins as one might expect, with energy and good humour, driving rhythms and folk-like themes. However, we have our first hint of darkness when the confident flow of the music is interrupted by intense repeated octaves, a cri de cœur from some hidden corner of the soul. The remainder of the movement
The same as divertimento, with the additional meaning of an entertainment of dances and songs inserted in an 18th‐cent. stage spectacle or sometimes in a ballet or opera (as in Gounod's Faust or Delibes's Coppélia). The term is also applied to a suite of dances unconnected by a story.
Divertissement is a 1930 reworking of incidental music that Ibert had composed the year before for a well-known theatrical farce, The Italian Straw Hat, from 1851 by the nineteenth-century dramatists, Labiche and Marc-Michel. While perhaps obscure to most Americans today, the play has an important place in the genre.
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Divertissement and the French Revolution. OLIVIA SABEE. Gradual changes in the relationship between ballet and narrative took place in the years following the French Revolution of 1789. Through an intertextual analysis of livrets for eighteenth-century.
