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  1. The first movement begins as one might expect, with energy and good humour, driving rhythms and folk-like themes. However, we have our first hint of darkness when the confident flow of the music is interrupted by intense repeated octaves, a cri de cœur from some hidden corner of the soul. The remainder of the movement

  2. The divertissement in the following act operates on a different principle, one that uses parallel structures to cumulative effect. After the failure of the games honoring Junon, Persée has volunteered to try to kill Méduse.

    • Rebecca Harris-Warrick
    • 2016
  3. CHAPTER OBJECTIVES. Explain the important role of social movements in addressing social problems. Describe the different types of social movements. Identify the contrasting sociological explanations for the development and success of social movements. Outline the stages of development and decline of social movements.

    • 6MB
    • 24
  4. The same as divertimento, with the additional meaning of an entertainment of dances and songs inserted in an 18thcent. stage spectacle or sometimes in a ballet or opera (as in Gounod's Faust or Delibes's Coppélia). The term is also applied to a suite of dances unconnected by a story.

  5. many studies of social movements are dangerously naive. Too often, authors, while they think they are describing collective actions or historical events, express very crudely their own opinions or ideologies. The limited value of most studies of social movements becomes even more conspicuous if we com-

  6. Divertissement refers to a light and entertaining interlude in a theatrical or musical performance, often showcasing dance and music. This term became particularly important in the development of French opera during the 17th century, where it served to enhance the overall spectacle and enjoyment of the production, reflecting the aesthetic ...

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  8. map of social movement theory, including arguments relating to contemporary social movements in the global South. It expands upon the definition of social movements provided in chapter one, setting out some of the defining features of movements. It explores some fundamental conceptual concerns for social

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