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- The term is used to describe a wide variety of secular (non-religious) instrumental works for soloist or chamber ensemble. It is usually a kind of music entertainment, although it could also be applied to a more serious genre. After 1780, the term generally designated works that were informal or light.
en.wikipedia.org/wiki/Divertimento
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During the 17th and 18th century, the term implied incidental aspects of an entertainment (usually involving singing and dancing) that might be inserted in an opera or ballet or other stage performance.
Divertimento / dɪˌvɜːrtɪˈmɛntoʊ / (Italian: [divertiˈmento]; from the Italian divertire "to amuse") is a musical genre, with most of its examples from the 18th century.
May 14, 2018 · The same as divertimento, with the additional meaning of an entertainment of dances and songs inserted in an 18th-cent. stage spectacle or sometimes in a ballet or opera (as in Gounod's Faust or Delibes's Coppélia). The term is also applied to a suite of dances unconnected by a story.
The same as divertimento, with the additional meaning of an entertainment of dances and songs inserted in an 18th‐cent. stage spectacle or sometimes in a ballet or opera (as in Gounod's Faust or Delibes's Coppélia). The term is also applied to a suite of dances unconnected by a story.
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Beaumont, Cyril W.; Idzikowski, Stanislas (1975) [1922]. A Manual of the Theory and Practice of Classical Theatrical Dancing (Méthode Cecchetti). New York: Dover Publications. ISBN 0-486-23223-9. O...Kersley, Leo; Sinclair, Janet (1981) [1977]. A Dictionary of Ballet Terms (3rd revised ed.). New York: Da Capo Press. ISBN 0-306-80094-2. OCLC 4515340.Minden, Eliza Gaynor (2005). The Ballet Companion: A Dancer's Guide to the Technique, Traditions, and Joys of Ballet. New York: Simon and Schuster. ISBN 0-7432-6407-X. OCLC 58831597.Entertainment is a form of activity that holds the attention and interest of an audience or gives pleasure and delight. It can be an idea or a task, but it is more likely to be one of the activities or events that have developed over thousands of years specifically for the purpose of keeping an audience's attention.
In this position Lully, with his librettist Philippe Quinault, created a new genre, the tragédie en musique, each act of which featured a divertissement that was a miniature ballet scene. [27] With almost all his important creations Jean-Baptiste Lully brought together music and drama with Italian and French dance elements.
