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1. www.researchgate.net › publication › 263007963(PDF) The Oxford handbook of music psychology - ResearchGate

   www.researchgate.net › publication › 263007963

   Jan 1, 2009 · Humans perceive a range of basic emotional connotations from music, such as joy, sadness, and fear, which can be decoded from structural characteristics of music, such as rhythm, harmony, and...

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2. www.researchgate.net › publication › 279971520_Music(PDF) Music and Emotion - ResearchGate

   www.researchgate.net › publication › 279971520_Music

   Dec 31, 2013 · The goal of this chapter is to review contemporary empirical research on music and emotion primarily within music psychology. We begin by commenting on the recent history of the field.

3. deutsch.ucsd.edu › pdf › Ch-PsychMusPsychology and Music - University of California, San Diego

   deutsch.ucsd.edu › pdf › Ch-PsychMus

   In this chapter I first review major developments in music theory from an historical point of view. Following this I explore various issues that are currently being studied both by music theorists and by psychologists. Finally, I discuss the role of psychology in music theory. HISTORICAL PERSPECTIVE

4. www.researchgate.net › publication › 247733412(PDF) Repetition in Music: Theoretical and Metatheoretical ...

   www.researchgate.net › publication › 247733412

   In this paper I describe the interdisciplinary origins of the influence of the kinds of repetition I use in my music. Drawing on the definitions of the terms 'discursive' and 'musematic', used in...

5. www.jessicagrahn.com › annurev-psych-122216-011740The Psychology of Music: Rhythm and Movement - Jessica Grahn

   www.jessicagrahn.com › annurev-psych-122216-011740

   When listeners get carried away by the music, either through movement (such as dancing) or through reverie (such as trance), it is usually the temporal qualities of the music—its pulse, tempo, and rhythmic patterns—that put them in this state.

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6. academic.oup.com › edited-volume › 34489The Oxford Handbook of Music Psychology | Oxford Academic

   academic.oup.com › edited-volume › 34489

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   Oct 2, 2014 · The first ten parts present chapters that focus on specific areas of music psychology: the origins and functions of music; music perception, responses to music; music and the brain; musical development; learning musical skills; musical performance; composition and improvisation; the role of music in everyday life; and music therapy.

7. People also ask

   What is music psychology?

   • The art of music psychology is to bring rigorous scientific methodologies to questions about the human musical capacity while applying sophisticated humanistic approaches to framing and interpreting the science. Music can seem to be the human behavior that is least susceptible to explanation.

   The art and science of music psychology - Oxford Academic

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   What is music theory?

   • relationships The view that music ought to be investigated solely by contemplation of numerical view, ception world of characterized imitate. Experimental mathematics most music theory since Pythagorean times.

   Psychology and Music - University of California, San Diego

   deutsch.ucsd.edu/pdf/Ch-PsychMus.pdf

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   What is a participatory discrepancy in jazz?

   • This was the basis of Keil’s (1987) theory of participatory discrepancies in jazz, which was adopted by Iyer (2002), who posited that fine-grained timing variations are an essential aspect of groove. In many styles associated with groove (e.g., jazz, R&B), rhythms are swung to varying degrees and, thus, systematically deviate from deadpan timing.

   The Psychology of Music: Rhythm and Movement - Jessica Grahn

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   How did the scientific revolution affect music theory?

   • effect on music theory. First, of The scientific revolution conditions for music the sixteenth was established and seventeenth 1961). consists in a successive that sense-perception production. the apprehension depends on these two facul- all branches of music, which is past. In and memory; way for we must perceive of sound music that

   Psychology and Music - University of California, San Diego

   deutsch.ucsd.edu/pdf/Ch-PsychMus.pdf

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   What factors determine the dissimilarity of musical sounds?

   • ate the dissimilarity of musical sounds. 1993 ; Handel 1995 ; Lutfi 2008 for reviews). hardness (Freed 1990 ). The timbral factors rele- at hand. Spectral factors are primary for the per- ception of the geometry (Lakatos et al . 1997 ). McAdams 2006 ) and of mallets (Freed 1990 ). ness. Handel and Erickson ( 2001 ) found that

   (PDF) The Oxford handbook of music psychology - ResearchGate

   www.researchgate.net/publication/263007963_The_Oxford_handbook_of_music_psychology

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   What is a fundamental contribution of the psychology of music?

   • One fundamental contribution of the psychology of music is to place human music makers and listeners at the center of research questions on this topic. The scientific revolution of the sixteenth century provided the first significant cracks in the rationalist perspective.

   The art and science of music psychology - Oxford Academic

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8. academic.oup.com › book › 420The art and science of music psychology | The Psychology of ...

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   The art of music psychology is to bring rigorous scientific methodologies to questions about the human musical capacity, while applying sophisticated humanistic approaches to framing and interpreting the science. By combining these techniques, music psychology can address questions such as: •