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  1. May 1, 2006 · In this paper, I will discuss the biology and evolution of music from an explicitly multicomponent perspective, distinguishing particularly between vocal song and instrumental music. I offer some ways of defining these components, and review the comparative literature for evidence as to when, how and why, some of them evolved.

    • W. Tecumseh Fitch
    • 2006
  2. Mar 19, 2015 · Music in all its variety can be defined as a social and cultural construct based on that very musicality. This distinction demarcates two divergent approaches to the cognition and biology of music.

    • Henkjan Honing, Carel ten Cate, Isabelle Peretz, Sandra E. Trehub
    • 2015
  3. Mar 3, 2015 · While ethnomusicology traditionally focuses on the form and social function of songs (and other products of musicality), bio-musicology seeks an understanding of the more basic and widely shared capabilities underlying our capacity to make music, such as singing.

    • W. Tecumseh Fitch
    • 2015
  4. Mar 11, 2010 · It seems likely that the divergence between music and language arose first in modern humans, with language emerging to fulfil communicative, ostensive and propositional functions with...

  5. Feb 1, 2017 · Why do we make music using only a small number of scales out the billions that are possible? Dale Purves shows that rethinking music theory in biological terms offers a new approach to centuries-long debates about the organization and impact of music.

    • Dale Purves
    • February 01, 2017
  6. Biomusicology is the study of music from a biological point of view. The term was coined by Nils L. Wallin in 1991 to encompass several branches of music psychology and musicology , including evolutionary musicology , neuromusicology , and comparative musicology .

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  8. Dec 4, 2023 · In this review, I outline a framework for music in human biology and describe some of its basic implications for standardized music-based interventions in mental health, with the goal of ...

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