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Dead Lines. TV Movie. 2010. 1h 30m. IMDb RATING. 4.7 /10. 268. YOUR RATING. Rate. Crime Mystery Thriller. Sophie (Jeri Ryan), an environmentally friendly fashion designer and advocate for women around the world is about to launch her highly anticipated clothing line and open her first flagship store when one of her employees is found murdered.
- Cassadrian
Dead Lines (TV Movie 2010) Frank Schorpion as Cassadrian....
- Katif
Dead Lines (TV Movie 2010) Ziad Ghanem as Katif. Release...
- Danya
Dead Lines (TV Movie 2010) Alice Tran as Danya. Release...
- Alexa
Dead Lines (TV Movie 2010) Natalie Vansier as Alexa. Release...
- Auctioneer
Dead Lines (TV Movie 2010) Paul Stewart as Auctioneer....
- Jerry
Dead Lines (TV Movie 2010) David Gow as Jerry. Release...
- Sophie Fyne
Dead Lines (TV Movie 2010) Jeri Ryan as Sophie Fyne. Menu....
- User Reviews
Dead Lines (2010 TV Movie) User Reviews Review this title 2...
- Cassadrian
IMDb has a 10-star movie rating system. This allows users to vote with a whole range of different appreciations. However, as far as I know, there is nowhere any explanation of what a score of ‘3’ or ‘9’ is supposed to mean. IMDb leaves it up to the user to decide how to rate a movie.
Dead Lines (TV Movie 2010) - Movies, TV, Celebs, and more... Menu. Movies. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office ...
- Criteria For “The Best”
- Imdb, Rotten Tomatoes, Fandango, Or Metacritic?
- Fandango’s Users Love Movies Too Much
- The Verdict: Use Metacritic’s Metascore
- Few More Words
Making such a recommendation is a lot like saying “this is the best place to look for a movie rating,” which is an evaluative statement, resting on some criteria used to determine what is better, what is worse or worst, and what is best, in this case. For my recommendation, I will use one single criterion: a normal distribution. The best place to l...
Now that we have a criterion to work with, let’s dive into the data. There are a lot of websites out there that come up with their own movie ratings. I have chosen only four, mainly based on their popularity, so that I could get ratings for movies with an acceptable number of votes. The happy winners are IMDB, Fandango, Rotten Tomatoes, and Metacri...
One reason for this choice is that the distribution of Fandango’s movie ratings is the furthest from that of a normal one, having that obvious skew towards the higher part of the movie ratings spectrum. The other reason is the cloud of suspicion around Fandango left by Walt Hickey’s analysis. On October 2015, he was also puzzled by a similar distri...
All in all, I recommend checking the metascore whenever you are looking for a movie rating. Here’s how it works, and its downsides. In a nutshell, the metascore is a weighted average of many reviews coming from reputed critics. The Metacritic team reads the reviews and assigns each a 0–100 score, which is then given a weight, mainly based on the re...
To sum up, in this article I made a single recommendation of where to look for a movie rating. I recommended the metascore, based on two arguments: its distribution resembles the most a normal one, and it is the least correlated with the Fandango rating. All the quantitative and the visual elements of the article are reproducible in Python, as it i...
Jul 2, 2022 · Over the years, I’ve developed an algorithm to help me decide which film to watch. For thrillers, I pick them only if they have a rating of above 6 on IMDb AND a rating of above 45% on Rotten Tomatoes. For dramas, I pick them only if they have a rating of above 6.5 on IMDb AND a rating of above 50% on Rotten Tomatoes.
Your breakdown of the 1-10 rating scale is pretty spot-on for how it's commonly interpreted, especially in the context of movie ratings. Here's my version: 10 = Perfect/Masterpiece: No flaws, outstanding in every aspect. 9 = Superb/Almost Perfect: Minor flaws, but exceptional overall.
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Sep 19, 2017 · As of this writing, mother! is at 68% on Rotten Tomatoes, 75 on Metacritic, 6.8/10 on IMDB, and an abysmal F CinemaScore. The movie is obviously (mostly) well received by critics and some audiences, but its extreme and unnerving style was very disruptive and troubling to many audience members.
