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David Lebrun, Rico’s son, and James Renner, an artist living in San Diego, co-editors of a recently released book on the artist, both sense a disparity between the power of Lebrun’s work...
Selected and edited by James Renner and the artist’s son, David Lebrun, they address the forging of a new visual language and comfort friends in crisis; they are bursting with life, demonstrative of fierce love, filled with wisdom and mercilessly articulate.
Apr 20, 2024 · MoMI welcomes filmmaker David Lebrun for a retrospective of his work from 1966 to today. For nearly six decades, Lebrun has illustrated unique histories with a singular vision informed by his lived experience and achieved with precise technique.
Breaking the Maya Code was eleven years in the making. It originated with a conversation between director David Lebrun and archaeologist Michael Coe (author of the book “Breaking the Maya Code”) at the 1997 Maya Meetings at the University of Texas in Austin, and began production with extensive filmed interviews with Mayanist Linda Schele in ...
Artist David Lebrun first creates each animation using an existing piece of music - a "scratch track" - to indicate the intended rhythm and dramatic moments in the animation. He then usually replaces this temporary music with bespoke tracks composed especially for each animation.
It originated with a conversation between director David Lebrun and archaeologist Michael Coe (author of the book “Breaking the Maya Code”) at the 1997 Maya Meetings at the University of Texas in Austin, and began production with extensive filmed interviews with Mayanist Linda Schele in the fall of 1997.
Apr 19, 2024 · MoMI welcomes filmmaker David Lebrun for a retrospective of his work from 1966 to today. For nearly six decades, Lebrun has illustrated unique histories with a singular vision informed through his lived experience and achieved with precise technique.
