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  1. Dec 1, 2002 · David Hockney : Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters. Jane Partner, Reviewed by. The Cambridge Quarterly, Volume 31, Issue 4, December 2002, Pages 345–349, https://doi.org/10.1093/camqtly/31.4.345. Published: 01 December 2002.

    • Jane Partner
    • 2002
  2. Aug 25, 2011 · Journal Article. David Hockney: A Taste for Los Angeles. Get access. Cécile Whiting. Art History, Volume 34, Issue 4, September 2011, Pages 858–874, https://doi.org/10.1111/j.1467-8365.2010.00850.x. Published: 25 August 2011. Cite. Permissions. Share. Extract.

  3. Nov 20, 2018 · You weren't moving. If you're not moving, in a way you're dead. Four seasons ahead and four seasons receding before us—a theme that since antiquity has been used as an allegory for the migration of the soul, also tyrannized by a single vanishing point, and so he broke each season into nine.

    • Cole Swensen
    • 2018
  4. David hockney's A bigger splash (Fig.32), painted fifty years ago this year, features naturally in the artist's current eightieth birthday retrospective, reviewed on pp.413- 15. 1 A canonical work in art history, the picture owes its wide appeal to many factors: legibility and economy; the visual wit inherent in im-plying human action although n...

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  6. Dec 14, 2016 · An extensive visual investigation by the artist David Hockney lead to the discovery of a variety of optical evidence in paintings as described in a number of technical papers [2–8]. This work demonstrated European artists began using optical devices as aids for creating their work early in the Renaissance well before the time of Galileo.

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  8. Oct 28, 2020 · Abstract. Metadata. In the mid-1960s and early 1970s, David Hockney opted for a particular application of primer in the ground layers of some of his paintings — that is, a partial or ‘selective’ type of preparation. By selectively preparing certain areas with one or more layers of (gesso) priming, Hockney introduced a slightly higher and ...

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