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Aug 25, 2011 · David Hockney: A Taste for Los Angeles. Get access. Cécile Whiting. Art History, Volume 34, Issue 4, September 2011, Pages 858–874, https://doi.org/10.1111/j.1467-8365.2010.00850.x. Published:
Nov 20, 2018 · You weren't moving. If you're not moving, in a way you're dead. Four seasons ahead and four seasons receding before us—a theme that since antiquity has been used as an allegory for the migration of the soul, also tyrannized by a single vanishing point, and so he broke each season into nine.
- Cole Swensen
- 2018
Dec 1, 2002 · David Hockney : Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters. Jane Partner, Reviewed by. The Cambridge Quarterly, Volume 31, Issue 4, December 2002, Pages 345–349, https://doi.org/10.1093/camqtly/31.4.345. Published: 01 December 2002.
- Jane Partner
- 2002
- Jan Van Eyck, The Arnolfini Marriage, 1434
- Lorenzo Lotto, Husband and Wife, 1523–1524
- Hans Holbein The Younger, The French Ambassadors to The English Court, 1532
- Robert Campin, The Annunciation Triptych (Merode Altarpiece), C1425–C1430
One of the earliest examples we have found of a painting that exhibits a variety of evidence that the artist-based portions of it on optical projections is shown in Fig. 11.1. Several different types of optical analysis demonstrate the chandelier, enlarged in Fig. 11.2, is based on an optical projection. The advantage of an optical projection of a ...
“Family Portrait” by Lorenzo Lotto (1523–1524) shown in Fig. 11.5 provides considerable quantitative information about the lens that optical evidence indicates Lotto used in creating this painting. Figure 11.6 is a detail from Husband and Wifeshowing an octagonal pattern on an oriental carpet that appears to go out of focus at some depth into the p...
A prominent feature of The French Ambassadors to the English Court by Hans Holbein is the anamorphic skull at the bottom of the 1532 painting. This feature is shown in Fig. 11.10. The way this appears to someone viewing it at a grazing angle is shown by linearly compressing it by 6× in Fig. 11.11 (Right), with a real skull for comparison in Fig. 11...
Robert Campin was a contemporary of Jan van Eyck and they are documented to have known each other. The center and right panels of Robert Campin’s Merode Triptych of c1425B28 contain the earliest evidence we have found to date of the use of direct optical projections. A detail of the right panel is shown at the lower left of Fig. 11.13. As we previo...
- Charles M. Falco
- falco@email.arizona.edu
- 2016
Beginning with the work of David Hockney and a personal selection of popular fictional texts of the 1950s, 1960s and 1970s, this article explores the expressive connection between visual culture and sexual identity that a range of disciplines have established around the practices and pleasures that in the 20th century became known as ...
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Jul 1, 2000 · Semantic Scholar profile for David Hockney, with 11 highly influential citations and 77 scientific research papers.
