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Jun 28, 2011 · Cremona M are more "modern" and lean towards a detailed/analytic sound. The original can be finicky about what is driving them; the M less so. Your Edge would mate well with the Cremona, as it does with your Auditors.
Mar 4, 2009 · The Cremona M is a speaker that’s far easier to fall in love with than to dispassionately admire. Its flaws are trifles compared to its versatility and emotionally stirring musicality. In a market where two-way compacts reach into the $20k+ range with relative ease, the Cremona M’s not insubstantial cost seems, well, almost reasonable.
Jul 27, 2007 · He said the main difference between the M's and the homage line was that the M's (and Elipsas) and slightly "faster" and more dynamic than the "old guard" e.g. strads, amatis, mementos which have a more lush, thick and smooth sound (which is what SF was famous for and led me to my SFs).
Mar 23, 2023 · They’re nothing like their smaller siblings, the Cremona Auditor M, in fact, I don’t hear much of the typical Sonus Faber house sound with these larger floor-standers. They’re far less colored than the Auditor M, and tilt more towards a neutral tonal balance, without the over-emphasized warmth in the midrange and midbass that was ...
Jun 4, 2008 · The two generations of Auditor are pretty much the same size, shape and style, but the M version has a new mid/bass driver, re-engineered tweeter and re-profiled baffle. These changes make an already good speaker even better.
- Sonus Faber
Feb 25, 2009 · Both the McIntosh and Quad amplifiers were able to drive the Cremona Ms to realistic levels regardless of the material, and the lower registers, whether derived from strings, keyboards or drums, were solid, palpable and controlled in the most convincing and realistic manner you could desire.
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Apr 14, 2023 · Review of the Sonus Faber Cremona M speakers at www.AudioResurgence.com Our Cremona M review compares this floorstanding model with the smaller bookshelf Sonus Faber Cremona Auditor and also...
- 6 min
- 4.5K
- Audio Resurgence
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