Search results
Mar 4, 2009 · The Cremona M is a speaker that’s far easier to fall in love with than to dispassionately admire. Its flaws are trifles compared to its versatility and emotionally stirring musicality. In a market where two-way compacts reach into the $20k+ range with relative ease, the Cremona M’s not insubstantial cost seems, well, almost reasonable.
- Pass Labs Int-150
I know I’m quoting myself but, as I said then, for those...
- Pass Labs Int-150
Jun 4, 2008 · Sonus Faber Cremona Auditor M review from the experts at What Hi-Fi? - compare latest prices, see user reviews, and see Cremona Auditor M specs and features.
- Sonus Faber
Jul 27, 2007 · The Elipsas and Cremona M’s look stunning. From early reports it does seem that the new line represent a slight departure from the typical SF sound. I will reserve judgment until I can have a listen, but I’m concerned and may snap up a pair of Guarneri’s while I can.
Jun 28, 2011 · Cremona M are more "modern" and lean towards a detailed/analytic sound. The original can be finicky about what is driving them; the M less so. Your Edge would mate well with the Cremona, as it does with your Auditors.
Mar 23, 2023 · Sonus Faber Cremona M – Listening Impressions. Right out of the gate, these speakers sounded very impressive. They’re nothing like their smaller siblings, the Cremona Auditor M, in fact, I don’t hear much of the typical Sonus Faber house sound with these larger floor-standers.
Apr 14, 2023 · Review of the Sonus Faber Cremona M speakers at www.AudioResurgence.com Our Cremona M review compares this floorstanding model with the smaller bookshelf Sonus Faber Cremona Auditor and...
- 6 min
- 4.5K
- Audio Resurgence
People also ask
What's the difference between a Cremona m & a Cremona?
Should I buy a Cremona m?
Are the Cremona M's considered 'real music'?
Are the Cremona auditor m and Sonus Faber the same?
Is a Cremona m a good speaker?
What makes Cremona m so great?
Feb 25, 2009 · Both the McIntosh and Quad amplifiers were able to drive the Cremona Ms to realistic levels regardless of the material, and the lower registers, whether derived from strings, keyboards or drums, were solid, palpable and controlled in the most convincing and realistic manner you could desire.