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- For example: Feeling like you have to change your appearance or personality to be a member of a group might lower your self-esteem. Succumbing to peer pressure could lead to risky or illegal behavior, such as underage drinking.
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- "Albatross" Deliverance was both COC's major label debut and the moment where they began to adopt the heavy Southern-rock elements that would characterize much of their output from then on.
- "Vote With a Bullet" "Vote With a Bullet" was Pepper Keenan's only lead vocal on Blind, but it quickly became one of COC's signature tracks, and his bluesy, distorted vocals previewed the swampier direction that the band would take once he became the band's full-time lead singer.
- "Over Me" A masterpiece of loud-quiet-loud dynamics and controlled explosiveness, "Over Me" (the opening track of America's Volume Dealer) is about as satisfying a slab of straight-ahead hard rock as you could ever wish for.
- "Clean My Wounds" With its syncopated beats, stuttering riffs, darkly vivid religious imagery and mesmerizing twin-guitar harmony breaks, "Clean My Wounds" could be a great lost Thin Lizzy song put through a Southern stoner-rock filter.
- Damned For All Time
- Tell Me
- Loss For Words
- Nothing Left to Say
- Brand New Sleep
- River of Stone
- Never Turns to More
- 13 Angels
- Man Or Ash
- Albatross
The first track on this list is taken from the band’s third album Blind released in 1991. This album was Keenan’s debut with COC and the only release to feature Karl Agell on vocals. It is also the only record in the group’s catalog to not feature Dean, with the bass slot being taken by Phil Swisher, of which this is also his only recording with th...
Here we have a very early track from the band which is in fact the first song on the first album released in 1984 titled Eye for an Eye.At three minutes and twenty-seven seconds long, it is the longest track on the album, with most of the others being under the two-minute mark. It is a very different sound to the more bluesy thrash/groove style tha...
Here is the opening track of the band’s second album Animosity that was released in 1985 just a year after the first album. Sound-wise it is much like the first in the sense that it is much more raw sounding and hardcore than the band’s later more commercially successful material. However, although it is still primarily hardcore punk the first sign...
Here is a track from the band’s most recent album No Cross No Crown released in 2018. This album was seen a reformation of the classic line-up of Keenan, Dean, Mullin and Weatherman who had not played on an album together since 2000’s America’s Volume Dealer.Tragically, it would prove to be Mullins last album, as he died in 2020. This track sees th...
This track is taken from the band’s ninth album aptly titled IXwhich was released in 2014. The personnel for this record were Mullin, Dean and Weatherman who all shared vocal duties. This album also had a largely doomy/stoner sound with very heavy and slow riffs making it somewhat ironic that Keenan was not involved with it due to his commitments w...
This track is taken from the band’s self-titled-eight album released in 2012. It was the first album since 2005’s In the Arms of God, marking the longest gap between albums in the band’s history. It was an album that saw Mullin re-join and the first that he played on since America’s Volume Dealer. It was also the first release to not feature Keenan...
This very long eight-minute track is taken from the aforementioned In The Arms of God released in 2005. As of 2020, it is to date the only album to not feature Mullin, although this is subject to change if they decide to make any more albums due to his death. Instead, the drum spot is filled by Stanton Moore who previously played in a band called G...
This track is taken from 2000’s America’s Volume Dealer. As has been previously stated a couple of time in this article, this was the last record to feature the classic line-up which would not make another record together for eighteen years. Afterward, Mullin left the band and did not return until 2010. This track is a six-minute number that has a ...
Featuring none other than Metallica’s James Hetfield as a guest vocalist, this track is taken from the band’s fifth album titled Wiseblood released in 1996. This album saw the band at their commercial peak, with another track from the record “Drowning in a Daydream” receiving a Grammy nomination for Best Metal Performance which it ultimately lost t...
At number one we have the lead single taken from what is considered to be the band’s most classic album Deliverance releasedin 1994. The song is by far to most commercially successful in the band’s discography, reaching number nineteen on the Billboard Modern Rock Charts along with the album’s other single “Clean My Wounds” which also reached the s...
Apr 5, 2020 · Over 12 tracks and more than 64 minutes of music, Corrosion of Conformity delivered an eclectic blend of rock styles.
Corrosion of Conformity (also known as C.O.C.) is an American heavy metal band from Raleigh, North Carolina, formed in 1982. The band has undergone multiple lineup changes throughout its existence, with lead guitarist Woody Weatherman as the sole constant member.
Dec 1, 2019 · As one of the seminal hardcore-metal crossovers, Corrosion of Conformity’s music got played in films as they were unmistakably heavy, cut both ways in terms of sound, and well, had good tunes. Their most famous example is Big Problems featured in Kevin Smith’s Clerks.
Corrosion of Conformity has always been the kind of band that leaves one guessing. They've released everything from hardcore to alternative thrash over the course of their career, which can make some metalheads second guess themselves when it comes to shelling out the cash for the latest COC album.
Corrosion of Conformity (also known as C.O.C.) is an American heavy metal band from Raleigh, North Carolina formed in 1982. For almost the majority of its existence, the band has consisted of...
