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  1. Compton's first feature was the autobiographical Stranded, which she wrote, directed, starred in, self-financed and distributed. Released in 1965, the film shares the cinematic experimentation and stylish, youth-centric rebellion of the French New Wave made even more radical by its progressive portrayals of female independence and sexuality, beatnik culture, and discussions of homosexuality.

  2. Jun 22, 2011 · The Compton Cinema Club offered an important alternative to mainstream exhibition in Britain and the films and filmmakers who worked there remain part of a British cultural heritage that deserves to be re-examined and re-evaluated in order to broaden our understanding of British cinema. WORKS CITED. Aitken, Ian.

  3. 1st Logo (3 October 1965) Visuals: On a black background, a white box containing a giant " C " with " COMPTON " within the " C " is displayed. Right next to the boxes are " A " on the left and " PRODUCTION " on the right. Technique: A still, printed image. Audio: The opening theme of the film.

  4. Mission Bloody Mary is the search and destroy mission to retrieve a Nuclear Bomb from a radical crime syndicate called the Black Lily. The European answer to the Bond films in the 60s makes this title a must see for spy enthusiasts, cool gadgets, beautiful women, exotic locations, with smart criminal masterminds, WOW!

  5. Compton Films is a multinational conglomerate, know for Repulsion, Cul-de-sac, A Study in Terror, The Black Torment, The Projected Man, The Penthouse, The Pleasure Girls, Saturday Night Out and Wonderwall

  6. Films produced by Compton Films. Service. Amazon US; Amazon Video US; Apple TV Plus US; Apple TV US; Upgrade to a Letterboxd Pro account to add your favorite services to this list—including any service and country pair listed on JustWatch—and to enable one-click filtering by all your favorites.

  7. May 17, 2022 · The films were also more inconsistent, and the company had only been founded in 1966, so a bit late in the game. Taigon also did not specialize in horror to the same degree as the other two. They also came to increasingly focus on the distribution of foreign and independent films, which fully replaced in-house production after 1973 after years of an increasing focus on light erotic comedies.

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