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1. www.moma.org › artists › 4675Jackson Pollock - MoMA

   www.moma.org › artists › 4675

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   He met the painter Lee Krasner in 1941, and they married in 1945. Pollock is best known for working methods of pouring or dripping paint onto a large canvas on the floor, moving about it as he worked, the entire art process being a kind of performance.

   • Lee Krasner

     Lee Krasner was a force of nature, always pushing...

   • Donald Judd

     Donald Judd studied extensively in painting, sculpture, and...

   • Franz Kline

     Kline, along with other action painters like Jackson...

   • Allan Kaprow

     Kaprow began his career as an Abstract Expressionist,...

   • Pablo Picasso

     Much of Picasso's work of the late 1910s and early 1920s is...

   • Willem De Kooning

     If Jackson Pollock was the public face of the New York...

2. quizlet.com › 727259626 › art-ch-11-flash-cardsArt ch. 11 Flashcards - Quizlet

   quizlet.com › 727259626 › art-ch-11-flash-cards

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   What is the key difference between the process of lost-wax casting as practiced in ancient times and that same process today? Study with Quizlet and memorize flashcards containing terms like Carving, Modeling, Casting, Assembling, Installations are temporary and transitory, Subtractive and more.

3. www.standard.co.uk › culture › artists-who-wereThe artists who put print-making on the map, from Salvador ...

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   Printing became a staple in his artistic process, using it for a collection of Chairman Mao portraits and repeated images of soup cans, all now instantly recognisable as undeniably Warhol.

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4. www.metmuseum.org › about-the-met › collection-areasWhat Is Printmaking? | The Metropolitan Museum of Art

   www.metmuseum.org › about-the-met › collection-areas

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   Printmaking is an artistic process based on the principle of transferring images from a matrix onto another surface, most often paper or fabric. Traditional printmaking techniques include woodcut, etching, engraving, and lithography, while modern artists have expanded available techniques to include screenprinting.

5. www.metmuseum.org › toah › hdPablo Picasso (1881–1973) - The Metropolitan Museum of Art

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   Even into his eighties and nineties, Picasso produced an enormous number of works and reaped the financial benefits of his success, amassing a personal fortune and a superb collection of his own art, as well as work by other artists.

6. www.metmuseum.org › toah › hdClaude Monet (1840–1926) - The Metropolitan Museum of Art

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   Claude Monet was a key figure in the Impressionist movement that transformed French painting in the second half of the nineteenth century. Throughout his long career, Monet consistently depicted the landscape and leisure activities of Paris and its environs as well as the Normandy coast.

7. People also ask

   Who contributed to the practice of printmaking through the years?

   • To mark the exhibition, we’re celebrating some of the artists who have contributed to the practice of printmaking through the years. Andy Warhol helped to make screen-printing known as an art form in the 1960s. One of his first silkscreened images was his Marilyn print, created shortly after her death.

   The artists who put print-making on the map - Evening Standard

   www.standard.co.uk/culture/artists-who-were-printmakers-dali-picasso-rembrandt-warhol-a4171276.html

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   Who developed analytical Cubism?

   • The basic principles of Analytic Cubism (1910–12), with its fragmentation of three-dimensional forms on a two-dimensional picture plane, are embodied in Still Life with a Bottle of Rum (1999.363.63), painted in 1911. The techniques of Analytic Cubism were developed by Picasso and the French artist Georges Braque (1882–1963), who met in 1907.

   Pablo Picasso (1881–1973) - The Metropolitan Museum of Art

   www.metmuseum.org/toah/hd/pica/hd_pica.htm

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   How did a painter make a painting?

   • His method consisted of flinging and dripping thinned enamel paint onto an unstretched canvas laid on the floor of his studio. This direct, physical engagement with his materials welcomed gravity, velocity, and improvisation into the artistic process, and allowed line and color to stand alone, functioning entirely independently of form.

   Jackson Pollock - MoMA

   www.moma.org/artists/4675

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   How did Jackson Pollock make his paintings?

   • “I have no fears about making changes, destroying the image, etc., because the painting has a life of its own.” In 1947 Jackson Pollock arrived at a new mode of working that brought him international fame. His method consisted of flinging and dripping thinned enamel paint onto an unstretched canvas laid on the floor of his studio.

   Jackson Pollock - MoMA

   www.moma.org/artists/4675

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8. artsandculture.google.com › story › matisse-and-hisMatisse and His Creative Process — Google Arts & Culture

   artsandculture.google.com › story › matisse-and-his

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   In 1948, Matisse explored the cut-out technique further in his designs for the Chapelle du Rosaire de Vence. Here he used the method in a purely decorative context and created designs for the...