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  1. It’s an awesome movie I’ve happily rewatched a dozen times - great script, excellent performances, fantastic soundtrack. But damn, so I wish Mann had shot with actual film cameras then the crappy early 00’s digital cameras he used. The main reason I love the jazz scene so much is that he used film and BOY can you tell.

  2. The writing, the direction, the acting, and the practical action effects are all outstanding. The supporting cast, which includes Jada Pinkett Smith, Mark Ruffalo, and Peter Berg, give a living texture to the city, and Javier Bardem practically steals the film in his brief appearance. Collateral is a gripping and brilliant thriller.

  3. Aug 7, 2024 · This was the look Mann wanted, according to an American Cinematographer article.Co-director of photography Paul Cameron (working with Dion Beebe) said the director “wanted to use the format to create a kind of glowing urban environment; the goal was to make the L.A. night as much of a character in the story as Vincent and Max were.”

  4. Nov 28, 2020 · Neon Noir — ‘Collateral’ Movie Breakdown & Appreciation. By Sam Kench on November 28, 2020. Few filmmakers are able to imbue simple, grounded genre stories with as much dramatic heft and visual style as Michael Mann. One of the “neon-noir” innovator’s greatest cinematic achievements is his action-thriller Collateral (2004).

  5. Mar 13, 2017 · Beyond that, ‘Collateral’ is a film that makes you question certain things about life and the limits that we put on ourselves. The nihilism and disconnectedness of both Los Angeles and the main characters of Max and Vincent is both surreal and powerful. This is not your typical Hollywood drama and that’s a good thing.

  6. Mar 9, 2018 · The result is something that isn’t groundbreaking at every turn, but it’s a show that tries to take a more global view to a localized crime. Although the series isn’t entirely trained on her ...

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  8. Sep 28, 2021 · Years ago, I watched a glowing review of this film by Chris Stuckmann which resurfaced in my mind when I realised that Netflix was streaming Michael Mann’s movie. Collateral did not disappoint. The film feels very immediate, facilitating the anarchy that unravels during the runtime given that the movie takes place over a single night

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