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Dec 6, 2020 · Christoph-Mathias Mueller is the current recipient of the renowned Opus Klassik Award 2020 for Best Symphonic Recording featuring the works of Alexander Veprik and recorded with the BBC National Orchestra of Wales.
Since 2021, Christoph-Mathias Mueller is the Artistic Director of the highly respected Murten Classics summer festival in Switzerland, and he has been appointed professor of orchestral conducting at the Zurich University of the Arts from the fall of 2022 onwards.
Christoph Müller studied at the Universities of Music in Munich and Weimar under Prof. Ulf Rodenhäuser and Prof. Martin Spangenberg. He held scholarships from the Rhineland-Palatinate Villa Musica Foundation and Munich Philharmonic Orchestral Academy.
Feb 19, 2016 · According to the Palazzetto Bru Zane website, Les Chevaliers de la Table ronde (The Knights of the Round table) is one of Hervé’s “first great operettas, with which he launched the cycle of his four masterpieces: L’Œil crevé, Chilpéric and Le Petit Faust.” Rather than narrating the well-known adventures of Lancelot and Merlin, the ...
Les Chevaliers de la Table ronde. Florimond Ronger’s opéra-bouffe known as Hervé, in the first Italian performance, which took place at the Malibran theatre in February 2016. scenes and costumes to Pierre-André Weitz, and as interpreters the singers and instrumentalists of the Les Brigands company.
Les Chevaliers de la Table ronde (The Knights of the Round table) is the first of Hervé's great operettas, with which he launched the cycle of his four masterpieces (followed by L’Œil crevé, Chilpéric and Le Petit Faust). Rather than narrating the well-known adventures of Lancelot and Merlin, the opera stages an imaginary world rich with ...
Les Chevaliers de la Table Ronde is one of the spectacular shows performed daily at Puy du Fou. The show tells the story of King Arthur, depicting famous scenes and characters from the legendary story such as Excalibur, Merlin the Magician, Lancelot, the Lady of the Lake, and the Knights of the Round Table.
