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  1. In this article, we will explore nine songs with deep meanings about love, each offering a unique perspective on this most enduring of human emotions. 1. “I Will Always Love You” by Whitney Houston (1992) One of the most iconic love songs of all time, Whitney Houston’s rendition of “I Will Always Love You” is a powerful declaration of ...

  2. A powerful executive at the large bank where Svenja’s husband works, Roland is used to getting what he wants. He manipulates the transfer of her husband to Indonesia to replace a recently murdered bank manager. Unaware of Roland’s actions, Svenja now ceases to resist…. Directed by : Christoph HOCHHÄUSLER. Year of production: 2010.

  3. Directed by Christoph Hochhäusler. With Nicolette Krebitz, Robert Hunger-Bühler, Mark Waschke. Germany, 2010, 35mm, color, 110 min. German with English subtitles. 00:00 / 00:00. The City Below (Unter dir die Stadt) introduction and post-screening discussion with David Pendleton and Christoph Hochhäusler. While many of the films of the ...

  4. Christoph Hochhäusler discography and songs: Music profile for Christoph Hochhäusler, born 10 July 1972.

  5. Aug 4, 2023 · Hochhäusler’s ongoing experimentation with genre filmmaking over two decades is defined less by a repetition of sameness (stylistic or otherwise) than by a series of transitions from one film to the next that reflect a restless, curious mind of an auteur who always rejected the facile binary of arthouse-versus-genre (or commercial) filmmaking and instead has consistently advocated for a ...

  6. Feb 24, 2023 · A very memorable sex scene late in the film, which could be described as “vehicular frottage”, wonderfully incarnates these contradictions, and crowns a fine comeback for Hochhäusler. Till the End of the Night is a German production staged by Heimatfilm, in co-production with WDR and ARTE. World sales are courtesy of The Match Factory.

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  8. That Christoph Hochhäusler originally studied architecture is immediately obvious from The City Below. An important role in the film is reserved for the architecture of the financial centre of Frankfurt: plenty of glass, steel and skyscrapers. Bigwigs look down from their skyscrapers on the ordinary world far below them.

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