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Aug 4, 2023 · Hochhäusler’s ongoing experimentation with genre filmmaking over two decades is defined less by a repetition of sameness (stylistic or otherwise) than by a series of transitions from one film to the next that reflect a restless, curious mind of an auteur who always rejected the facile binary of arthouse-versus-genre (or commercial) filmmaking and instead has consistently advocated for a ...
- Marco Abel
And this occurs to a high degree through images. L ike many of his colleagues, Christoph Hochhäusler, born in 1972 in Munich, came to filmmaking only after he had immersed himself in a different art form. Before studying filmmaking at the HFF München (1996–2004), he studied architecture at the Technische Universität (TU) in Berlin (1993–95).
Christoph Hochhäusler is the director of five feature films including Falscher Bekenner (I am Guilty, 2005), Unter dir die Stadt (The City Below, 2010), and Die Lügen der Sieger (The Lies of the Victors, 2014).
Aug 21, 2024 · Hochhäusler’s seventh feature film, Death Will Come, expands on his specific interest in genre, particularly the classic crime film. The story of a dying gangster trying to put his affairs in order, Death Will Come delves into mysteries both external – who is the murderer, who’s double-crossing whom – and situated in the dark recesses of the human mind.
Aug 8, 2024 · Christoph Hochhäusler • Director of. Death Will Come. 08/08/2024 - The German director follows a gangster through Brussels in his new movie, a mixture of crime story and existentialist drama. ], a mixture of crime story and existentialist drama, celebrates its world premiere in the international competition of this year's Locarno Film Festival.
- Teresa Vena
A powerful executive at the large bank where Svenja’s husband works, Roland is used to getting what he wants. He manipulates the transfer of her husband to Indonesia to replace a recently murdered bank manager. Unaware of Roland’s actions, Svenja now ceases to resist…. Directed by : Christoph HOCHHÄUSLER. Year of production: 2010.
Aug 21, 2024 · Christoph Hochhäusler’s La Mort viendra (Death Will Come) is the latest film to bring the Melville aesthetic to bear on modern audiences. The trench coats and fedoras may be gone, but the film is still centered on various ne’er-do-wells slinking around Europe’s criminal underground. The film’s narrative is a labyrinth of shady dealings ...
