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Mar 7, 2023 · Christoph Hochhäusler: I don't know if the wall is a symbol. But the obstacle of this wall or the protection it offers naturally enables a certain kind of personal opening up. It's an alienation device, a hindrance that is very present in our day and age. You can make love on Zoom or Skype. I'm interested in that.
888 Followers, 997 Following, 7 Posts - Christoph Hochhäusler (@christophhochhausler) on Instagram: "" Christoph Hochhäusler (@christophhochhausler) • Instagram photos and videos Instagram
Aug 4, 2023 · Hochhäusler’s ongoing experimentation with genre filmmaking over two decades is defined less by a repetition of sameness (stylistic or otherwise) than by a series of transitions from one film to the next that reflect a restless, curious mind of an auteur who always rejected the facile binary of arthouse-versus-genre (or commercial) filmmaking and instead has consistently advocated for a ...
Aug 21, 2024 · Director Christoph Hochhäusler arrived on the international scene in the early aughts, as the film world began discovering a plethora of unique, formally inventive movies being made in Germany. As critics often do, they gave these new films a label, calling it the “Berlin School.”
Aug 8, 2024 · Christoph Hochhäusler • Director of. Death Will Come. 08/08/2024 - The German director follows a gangster through Brussels in his new movie, a mixture of crime story and existentialist drama. ], a mixture of crime story and existentialist drama, celebrates its world premiere in the international competition of this year's Locarno Film Festival.
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Aug 13, 2024 · 13/08/2024 - Christoph Hochhäusler crafts a gritty crime-thriller set in Brussels' underbelly, pitting an old-school crime boss against a modern rival Sophie Verbeeck in Death Will Come Very swiftly, German director Christoph Hochhäusler has followed up his arthouse thriller Till the End of the Night [ + see also:
Aug 9, 2024 · Death, it seems, does not quite become Christoph Hochhäusler, the Berlin School alum making his French language debut with the enigmatically titled La Mort viendra (Death Will Come). His foray into French language, a country which first lavished considerable acclaim upon the wave of Berlin School directors who cropped up in the late 1990s German cinema scene (such as Christian Petzold and ...