Search results
Aug 9, 2024 · Death, it seems, does not quite become Christoph Hochhäusler, the Berlin School alum making his French language debut with the enigmatically titled La Mort viendra (Death Will Come). His foray into French language, a country which first lavished considerable acclaim upon the wave of Berlin School directors who cropped up in the late 1990s German cinema scene (such as Christian Petzold and ...
Death Will Come. Death Will Come (French: La Mort viendra) is a 2024 noir thriller directed by Christoph Hochhäusler from a screenplay by Hochhäusler and novelist Ulrich Peltzer. [2] The film stars Sophie Verbeeck and Louis-Do de Lencquesaing. [3]
Aug 21, 2024 · Christoph Hochhäusler’s La Mort viendra (Death Will Come) is the latest film to bring the Melville aesthetic to bear on modern audiences. The trench coats and fedoras may be gone, but the film is still centered on various ne’er-do-wells slinking around Europe’s criminal underground. The film’s narrative is a labyrinth of shady dealings ...
Aug 21, 2024 · Hochhäusler’s seventh feature film, Death Will Come, expands on his specific interest in genre, particularly the classic crime film. The story of a dying gangster trying to put his affairs in order, Death Will Come delves into mysteries both external – who is the murderer, who’s double-crossing whom – and situated in the dark recesses of the human mind.
Jul 30, 2024 · Locarno Competition: Christoph Hochhäusler’s Hitwoman Thriller ‘Death Will Come,’ Set in ‘Semi-Glamorous’ Brussels, Drops a Trailer (EXCLUSIVE) Germany’s Christoph Hochhäusler, the ...
Aug 8, 2024 · Christoph Hochhäusler • Director of. Death Will Come. 08/08/2024 - The German director follows a gangster through Brussels in his new movie, a mixture of crime story and existentialist drama. ], a mixture of crime story and existentialist drama, celebrates its world premiere in the international competition of this year's Locarno Film Festival.
Aug 4, 2023 · Hochhäusler’s ongoing experimentation with genre filmmaking over two decades is defined less by a repetition of sameness (stylistic or otherwise) than by a series of transitions from one film to the next that reflect a restless, curious mind of an auteur who always rejected the facile binary of arthouse-versus-genre (or commercial) filmmaking and instead has consistently advocated for a ...
