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    • Benoît Poelvoorde

      Image courtesy of premiere.fr

      premiere.fr

      • Benoît Poelvoorde and Chiara Mastroianni have been in a long-term relationship since 2013. view relationship Relationships Chiara Mastroianni was previously married to Benjamin Biolay (2002 - 2005).
      www.whosdatedwho.com/dating/chiara-mastroianni
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  2. Mastroianni dated actor Melvil Poupaud for four years from the age of 16 to 20. He encouraged her to pursue acting as a career and they remained friends for decades, with Poupaud saying he still loved her in 2018.

  3. Benoît Poelvoorde (2013-Present) – In 2013, Chiara started dating actor Benoît Poelvoorde. Their relationship had blossomed on the sets of the movie, Three Hearts . Their relationship became a public knowledge after they were spotted kissing and hanging out together in December 2013.

  4. Chiara Mastroianni has been in relationships with Benoît Poelvoorde (2013), Vincent Lindon (2008 – 2010), Andrea Di Stefano (2000), Benicio Del Toro (1998 – 2001), Pierre Thorreton (1995 – 1998), Pierre Thoretton (1995 – 1998) and Edoardo Ponti (1992). She has not been previously engaged.

    • Female
    • Movie Actress
    • French
    • Paris, France
  5. Chiara Mastroianni has been in relationships with Vincent Lindon (2008 - 2010), Andrea Di Stefano (2000), Benicio Del Toro (1998 - 2001), Pierre Thoretton (1995 - 1998), Edoardo Ponti (1992) and Melvil Poupaud (1990 - 1992).

    • Actress
    • May 28, 1972
    • Benoît Poelvoorde
  6. Aug 8, 2011 · CANNES, France — It’s not often that you get to star in a musical with your mother, but Chiara Mastroianni does just that in director Christophe Honoré’s “Beloved,” in which she shares top...

  7. May 20, 2024 · French director Christophe Honoré returns to Cannes Competition for a third time on Tuesday with comedy Mio Marcello, reuniting him with long time collaborator Chiara Mastroianni. The comedy...

  8. Jun 1, 2024 · At its core, this film reads like an intimate love letter from Honoré to his long-time muse Chiara. Mastroianni essentially plays herself—or rather, a version amplified for narrative purposes.

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