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  1. Chariots of Fire is a 1981 historical sports drama film directed by Hugh Hudson, written by Colin Welland and produced by David Puttnam. It is based on the true story of two British athletes in the 1924 Olympics : Eric Liddell , a devout Scottish Christian who runs for the glory of God, and Harold Abrahams , an English Jew who runs to overcome ...

    • Cheryl Campbell

      Cheryl Campbell (born 22 May 1949) is an English actress....

  2. Chariots of Fire: Directed by Hugh Hudson. With Nicholas Farrell, Nigel Havers, Ian Charleson, Ben Cross. Two British track athletes, one a determined Jew and the other a devout Christian, are driven to win in the 1924 Olympics as they wrestle with issues of pride and conscience.

    • (67K)
    • Biography, Drama, Sport
    • Hugh Hudson
    • 1982-04-09
  3. Chariots of Fire is a 1981 British historical sports drama film directed by Hugh Hudson, written by Colin Welland and produced by David Puttnam. It is based on the true story of two British athletes in the 1924 Olympics : Eric Liddell , a devout Scottish Christian who runs for the glory of God, and Harold Abrahams , an English Jew who runs to ...

    • 124 min
    • 11.1K
    • tech.archive
  4. Chariots of Fire is a 1981 British historical drama movie. It is based on the true story of two athletes in the 1924 Olympics: Eric Liddell and Harold Abrahams. The movie was directed by Hugh Hudson. Ben Cross and Ian Charleson starred as Abrahams and Liddell.

  5. Sep 26, 2024 · Chariots of Fire, British film (1981) that tells the story of two British runners who won gold in the 1924 Olympics.

    • Patricia Bauer
  6. Duration: 124 mins. Location: Cubby Broccoli Cinema, Level 1. Choose time and buy tickets. More info. Information for your visit. Back to Top. Social pressure and personal turmoil beset two very different British athletes on their way to glory in the 1924 Paris Olympics.

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  8. Chariots of Fire (1981) Hugh Hudson’s exhilarating account of the struggle by Harold Abrahams and Eric Liddell to compete on their own terms at the 1924 Olympics seemed to herald a new highpoint in British cinema.

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