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  1. Born in Luzzara near Reggio Emilia in northern Italy, on 20 September 1902, Zavattini studied law at the University of Parma, but devoted himself to writing. He started his career in Gazzetta di Parma. [1] In 1930 he relocated to Milan, and worked for the book and magazine publisher Angelo Rizzoli. After Rizzoli began producing films in 1934 ...

  2. Some ideas on the Cinema -- 93 j. Thus to analyse "buying a pair of shoes" in such a way opens to us a vast and complex world, rich in importance and values, in its practical, social, economic, psychological motives. Banality disappears because each moment is really charged with responsibility. Every moment is infinitely rich.

  3. The Forgotten Lessons of Cesare Zavattini by Giuliana Minghelli Three new books detail the screenwriter’s importance in Italian neorealism and also reveal his influence as a democratic force in cinema in Spain, Cuba, Latin America, and elsewhere throughout the world. 010 ZAVATTINI ARTICLE.qxp_CINEASTE STYLE SHEET 5/1/22 3:00 PM Page 10

  4. Oct 20, 2020 · Introduction. Cesare Zavattini crossed the entire history of Italian sound cinema, from the 1930s until his death in 1989. If one can conceive of an Italian ‘independent-auteur cinema’, that is, a cinema capable of relating to experimentalism, attempting to free itself from traditional production modes and, at the same time, renewing the authors’ intellectual rapport with their audience ...

  5. Un Paese (1955) is an exceptional case in the history of photography as the first ever-significant photo-book published in Italy, the result of a trans-cultural collaboration between two renowned authors, the American photographer Paul Strand and the Italian screenwriter Cesare Zavattini. The history of this book is well known in the Italian literature, and the image on the cover, “The ...

    • Maria Antonella Pelizzari
    • 2012
  6. earn IN TRANSLATION Zavattini, above and beyond Neorealism by Giorgio Bertellini and Courtney Ritter a> £ </) (0 X ¡2 o >. a> > 'c Z> <D-C >«.a m o CN Outside ism.1 as more one This than of of the Italy, six is, key however, decades, Cesare screenwriters Zavattini Zavattini a most and reductive (1902-1989) occupied theorists characterization.

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  8. Cesare Zavattini (1979b: 82) Few national cinemas can claim the breadth and depth of international influence once claimed by the Italian cinema (Liehm: 129-131). This oversized influence was largely based on the legacy of the neorealist period of film production, which has conventionally been dated from

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