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The Forgotten Lessons of Cesare Zavattini by Giuliana Minghelli Three new books detail the screenwriter’s importance in Italian neorealism and also reveal his influence as a democratic force in cinema in Spain, Cuba, Latin America, and elsewhere throughout the world. 010 ZAVATTINI ARTICLE.qxp_CINEASTE STYLE SHEET 5/1/22 3:00 PM Page 10
Apr 25, 2024 · De Sica had found the ideal collaborator in screenwriter Cesare Zavattini, with whom he wrote the majority of his films, including four defining classics of neorealism: Shoeshine (1946), Bicycle Thieves, Miracle in Milan (1951) and Umberto D (1952).
Zavattini articulated a range of ideas about programming in two letters sent, respectively, on January. 1959 and February 6, 1961, to writer and television personality Mario Soldati and RAI artistic director Sergio Pugliese. See Archivio Cesare Zavattini, Biblioteca Panizzi, Reggio Emilia, Italy (S622/21 and P691/5).
Cesare Zavattini (20 September 1902 – 13 October 1989) was an Italian screenwriter and one of the first theorists and proponents of the Neorealist movement in Italian cinema.
This intellectual biography is built on the premise that in order to understand Zavattini's idea of cinema and his legacy of ethical and political cinema (including guerrilla cinema), we must also tease out the multi-faceted strands of his interventions and their interplay over time.
Oct 20, 2020 · Cesare Zavattini crossed the entire history of Italian sound cinema, from the 1930s until his death in 1989.
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This chapter examines the Italian cinema contexts for Cesare Zavattini’s radical reconception of the notion of the nonprofessional actor—that everyone acts his or her life on camera—during the waning of neorealism.
