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  1. While diving for sunken treasure, street-smart gumshoe Tony Rome (Frank Sinatra) finds the body of a gorgeous blonde, her feet stuck in a block of cement.

    • Reviews

      Lady in Cement just simply isn't a good film, ruined at...

  2. Lady in Cement. Crime. 93 minutes ‧ 1968. Roger Ebert. December 3, 1968. 3 min read. It’s clear enough that Frank Sinatra has honorable intentions. He wants to make good cop and private-eye movies, the kind Bogart specialized in, with terse dialog and good action sequences and the hero played as a weary cynic with an anti-establishment bias.

  3. During an ocean dive, Miami gumshoe Tony Rome (Frank Sinatra) finds a woman's body with her feet encased in a concrete block and sets out to solve the murder case.

    • (2.9K)
    • Comedy, Crime, Drama
    • Gordon Douglas
    • 1968-12-20
  4. Lady in Cement is a 1968 American neo-noir [2] mystery crime comedy thriller film directed by Gordon Douglas, based on the 1961 novel The Lady in Cement by Marvin H. Albert. The film stars Frank Sinatra, Raquel Welch, Dan Blocker, Richard Conte, Martin Gabel, Lainie Kazan, and Pat Henry.

  5. Kids say: Not yet rated Rate movie. Korea's official 2023 Academy Awards submission follows in the footsteps of its predecessors—most recently Parasite —by combining bloody, dark subject matter with social satire. Concrete Utopia moves from 0-100 pretty quickly as the characters scrabble in the aftermath of an apocalyptic earthquake ...

  6. www.imdb.com › title › tt0138353Cement (2000) - IMDb

    Apr 14, 2000 · Cement: Directed by Adrian Pasdar. With Chris Penn, Jeffrey Wright, Anthony DeSando, Sherilyn Fenn. What's the bond between partners, between brothers, and between spouses? In L.A., Bill Holt handcuffs Sean Rickhart inside a rebar frame for a freeway pillar at a construction site; Bill's going to bury Sean in quick-drying cement.

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  8. Mar 22, 2019 · 5 min read. The cops-and-robbers genre is typically one that feels more accelerated than others, complete with quick cuts, witty dialogue, and narrative time jumps. S. Craig Zahler’s “Dragged Across Concrete” asks does it have to be?