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60622. The original address 909 N. Milwaukee Avenue has now been renumbered. The White Front Theatre was opened by Carl Laemmle on February 24, 1906. This early nickelodeon was the stepping stone to success for Carl Laemmle, who went on to form Universal Pictures in 1912. The White Front Theatre was closed in 1911, and converted to retail use ...
Mar 17, 2003 · This picture of Mr. Laemmle’s first show house was taken on July 24, 1906, one of the hottest days of the year, and shows Mr. Johnson in his shirt sleeves near the entrance. Mr. Laemmle charged 5¢ in his theater, although one other house in Chicago charged 10¢, and made money at it. But Mr. Laemmle was a merchant and a great advertiser.
Mar 14, 2012 · Remembering the Chicago movie theater that revolutionized the movie industry. posted by Michael Zoldessy on March 14, 2012 at 7:45 am. CHICAGO, IL — The Chicagoist looks at the origins of Universal Pictures and Chicago’s first successful movie theater, the White Front. Carl Laemmle built his empire from this one theatre that is sadly long gone.
- Harry Davis and The "Pittsburgh Idea"
- Exhibition Practices in The Early Nickelodeons
- A New Generation of Film Exchanges
- Implications of The Nickelodeon Era For Those Involved in Exhibition
- The Projection Booth Becomes A Sweatshop
- Film Fires in The Nickelodeon Era
- Traveling Exhibition as The Nickelodeon Era Begins
While favorable conditions existed for the appearance of nickelodeons in many Midwestern cities, the nickelodeon boom began in Pittsburgh in June 1905, when Harry Davis opened a storefront theater on Smithfield Street. The significance of this theater is not that it was some official "first" but that it was to some degree responsible for the rapid ...
The 1906 storefront theaters were generally small: rarely more, but often less, than two hundred seats. The number of seats, however, did not indicate a nickelodeon's true capacity since the shows were short enough for patrons to stand. 1. Nine Pittsburgh nickelodeons listed in Billboardranged in size from 70 to 200 seats. Four had 100 seats, three...
Nickelodeons created immense opportunities not only for exhibitors and producers but for film renters, who operated at the interface of production and exhibition. Chicago became the first and largest center for these new film exchanges. The early and rapid proliferation of nickelodeons in the Midwest and the city's traditional role as a distributio...
The nickelodeons transformed exhibition practices. With theaters changing programs between three and six times a week, the relationship between the exhibitor and what he showed became more and more attenuated. The theater manager, however, continued to exercise control over the sound component of the audiovisual screen experience, even though the e...
The individuals whose work, status, and economic opportunities suffered the greatest damage as a result of the nickelodeon era were the motion-picture operators, who ran the projectors. Once they had handled complicated machines that required dexterity, wide-ranging mechanical expertise, and experience. In the late 1890s and early 1900s many operat...
Film fires were a highly controversial subject in the motion-picture, theatrical, and amusement industries. Views and Film Index had a policy of not reporting them, considering this kind of publicity bad for business. While Billboard provided occasional mentions, Moving Picture World was the only trade journal to cover the issue extensively. As we ...
The growing popularity of motion pictures, which made the nickelodeon system of exhibition possible, at first benefited the traveling exhibitors. Lyman Howe not only added a third company in the fall of 1904 but purchased a camera and began to take some local views for inclusion in his programs. By early 1906 D. W. Robertson had five units, one bas...
Carl Laemmle (/ ˈ l ɛ m l i / ⓘ; born Karl Lämmle German:; January 17, 1867 – September 24, 1939) was a German-American film producer and the co-founder and, until 1934, owner of Universal Pictures. He produced or worked on over 400 films.
Discover three reasons Carl Laemmle is a pioneer in film and Chicago. Carl Laemmle Born in 1867 in southwestern Germany, Carl Laemmle immigrated to the U.S. in 1884, acquired U.S. citizenship in 1889, and worked in Chicago for more than two decades. In 1906, Carl Laemmle (pronounced LEM-LEE) entered a Chicago nickelodeon, an early storefront theatre that charged guests about a nickel to ...
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Jun 8, 2011 · Carl Laemmle acted quickly and was among the first to open motion picture theaters in Chicago. In a matter of weeks he owned a motion picture theater on Milwaukee Avenue, The White Front. Soon after, he opened a second one, The Family Theatre. His business sense and extraordinary timing contributed in large part to his immediate success.
