Yahoo Web Search

Search results

1. www.rbo.org.uk › opera-essentials-marriage-of-figaroThe Marriage of Figaro - rbo.org.uk

   www.rbo.org.uk › opera-essentials-marriage-of-figaro

   • Cached

   The valet Figaro has been pursued from the start of opera by the housekeeper Marcellina, whom he has agreed to marry if he can't repay a longstanding debt. Marcellina has chosen the day of Figaro's wedding to his fiancée Susanna to stake her claim, encouraged by Figaro’s old enemy, Bartolo, and Figaro's master, Count Almaviva, who wants to ...

2. Images

   • 
   • 
   • 
   • 
   • 

   View all

3. www.npr.org › the-story-of-the-marriage-of-figaroThe Story of 'The Marriage of Figaro' - NPR

   www.npr.org › the-story-of-the-marriage-of-figaro

   Mar 18, 2011 · When they produce evidence that Figaro has actually agreed to marry Marcellina, the Count gleefully cancels the wedding. As ACT THREE begins, Susanna hatches her latest scheme.

4. theopera101.com › operas › figaroThe Marriage of Figaro - The Opera 101

   theopera101.com › operas › figaro

   • Cached

   The scene changes to the trial over Marcellina's loan. With the Count presiding, she and Bartolo present the contract. But Figaro says he can't marry someone without his parents’ permission. The Count says let's see these parents, and Figaro replies that he has been looking for them for ten years.

5. opera-stl.org › the-marriage-of-figaro-1981The Marriage of Figaro (1981) - opera-stl.org

   opera-stl.org › the-marriage-of-figaro-1981

   • Cached

   Synopsis. A room in the palace. It is the morning of Figaro’s wedding day. While Susanna tries on a hat, Figaro measures a corner of the room to see if the bridal bed, the count’s present, will fit into it. Figaro is pleased with this proof of the count’s disinterested blessinq on the match.

6. englishtouringopera.org.uk › past-productions › theThe Marriage of Figaro | English Touring Opera

   englishtouringopera.org.uk › past-productions › the

   • Cached

   3 days ago · Both want to break up Figaro’s marriage. Marcellina loves Figaro, and she has a contract in which he promises either to repay the loan she gave him or to marry her instead. Bartolo wants revenge because Figaro fixed it for his intended bride, Rosina, to elope with the Count.

   • Email: admin@etopera.org.uk

7. wno.org.uk › the-marriage-of-figaro-mozartThe Marriage of Figaro Mozart - WNO

   wno.org.uk › the-marriage-of-figaro-mozart

   • Cached

   Figaro responds that without the consent of his parents – for whom Figaro has been searching for years – he cannot marry her. Marcellina spots a birthmark on Figaro’s arm, and realises that he is her long-lost son.

8. People also ask

   Can Figaro marry without his parents' permission?

   • With the Count presiding, she and Bartolo present the contract. But Figaro says he can't marry someone without his parents’ permission. The Count says let's see these parents, and Figaro replies that he has been looking for them for ten years. All he knows is he was stolen as a child, and he has a mysterious birthmark.

   The Marriage of Figaro - The Opera 101

   theopera101.com/operas/figaro/

   See all results for this question

   What does Figaro tell Marcellina and Bartolo about his birthmark?

   • Figaro tells them that being of noble birth – though stolen away by thieves as an infant – he can only marry with the consent of his family. To prove his tale, he shows the crowd his birthmark. Immediately, Marcellina and Bartolo recognize the mark as belonging to their son, and the three joyfully reunite.

   STUDY GUIDE - Opera Omaha

   operaomaha.org/content/blog/20230313-study-guide-the-marriage-of-figaro/operaomaha-marriage-of-figaro-study-guide-final.pdf

   See all results for this question

   Why is Figaro preparing to marry Susanna?

   • A MANOR HOUSE NEAR SEVILLE. Figaro, servant to Count Almaviva, is preparing to marry Susanna, the Countess’s maid. He measures a room for a bed, but Susanna is concerned that the room is too close to the Count’s chamber. She explains to Figaro that Almaviva is pursuing her even though he has abolished feudal right.

   STUDY GUIDE - Opera Omaha

   operaomaha.org/content/blog/20230313-study-guide-the-marriage-of-figaro/operaomaha-marriage-of-figaro-study-guide-final.pdf

   See all results for this question

   What is the relationship between Bartolo and Marcellina like?

   • Marcellina is angry at Susanna for stealing Figaro away from her, declaring she has a contract binding Figaro to her, while Bartolo is angry at Figaro for making a fool of him in the past. Marcellina and Susanna are sarcastically polite with one another until Marcellina and Bartolo leave.

   STUDY GUIDE - Opera Omaha

   operaomaha.org/content/blog/20230313-study-guide-the-marriage-of-figaro/operaomaha-marriage-of-figaro-study-guide-final.pdf

   See all results for this question

   What type of opera is the marriage of Figaro?

   • Mozart’s The Marriage of Figaro is known as a “Commedia per Musica” (meaning “Comical Opera”) and celebrates much of the Commedia dell’Arte performance style. Stock characters are represented throughout the opera: Figaro as Alrecchino, Cherubino as Brighella, Susanna as Colombina, Count Almaviva as Pantelone, and Dr. Bartolo as Il Dotore. Dr.

   STUDY GUIDE - Opera Omaha

   operaomaha.org/content/blog/20230313-study-guide-the-marriage-of-figaro/operaomaha-marriage-of-figaro-study-guide-final.pdf

   See all results for this question

   Is the marriage of Figaro a comedy?

   • The Marriage of Figaro is a comedy. Operatic comedies were all the rage around 1786—very common, you might say. Opera bufa is what the genre is called, and there is simply nothing funnier than Mozart’s opera! Mozart went “all in” for the laughs.

   STUDY GUIDE - Opera Omaha

   operaomaha.org/content/blog/20230313-study-guide-the-marriage-of-figaro/operaomaha-marriage-of-figaro-study-guide-final.pdf

   See all results for this question

9. operaomaha.org › content › blogSTUDY GUIDE - Opera Omaha

   operaomaha.org › content › blog

   Mar 13, 2023 · Marcellina and Bartolo, their attorney Don Curzio in tow, confront Figaro. Figaro tells them that being of noble birth – though stolen away by thieves as an infant – he can only marry with the consent of his family. To prove his tale, he shows the crowd his birthmark. Immediately, Marcellina and Bartolo recognize the mark as belonging to