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Callas Forever is a 2002 biographical film directed by Franco Zeffirelli, who co-wrote the screenplay with Martin Sherman. It is an homage to Zeffirelli's friend, internationally acclaimed opera diva Maria Callas, whom he directed on stage in Norma, La traviata, and Tosca. [1] It was his last film before his death in 2019.
Nov 5, 2004 · The special relationship between Callas (Ardant) and her former manager (Irons) forms the heart of this compelling fictional imagining of the diva's swan song, written and directed by the late Callas's friend and colleague, Franco Zeffirelli, in a worthy tribute to his legendary friend.
- (20)
- Franco Zeffirelli
- PG-13
Maria Callas has reached the twilight of her career, but her eager manager is convinced she can make a come-back by lip-synching her three most famous Operas. The soprano at first accepts but gradually comes to the realization that technology cannot replace art.
- Italy, Spain, United Kingdom, Romania
- Callas Forever
- Callas Forever
- Capitol Films
Oct 20, 2004 · The cliché-ridden Callas Forever allows director Franco Zeffirelli to revisit a time period in the ‘70s when he was mounting super productions at Milan’s La Scala and New York’s Metropolitan Opera starring divas like Maria Callas and Joan Sutherland.
Nov 5, 2004 · The special relationship between Callas (Ardant) and her former manager (Irons) forms the heart of this compelling fictional imagining of the diva's swan song, written and directed by the late Callas's friend and colleague, Franco Zeffirelli, in a worthy tribute to his legendary friend.
- (20)
- Franco Zeffirelli
- PG-13
Nov 25, 2004 · Callas is played in “Callas Forever” by Fanny Ardant, that tall, grave French actress with the facial structure of a Greek heroine (one thinks of Irene Papas in “Electra”). Ardant (who starred in Paris in “Master Class”) cannot sing, but then neither could Callas at the time.
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Sep 18, 2002 · Callas Forever is a 2002 biographical film directed by Franco Zeffirelli, who co-wrote the screenplay with Martin Sherman. It is an homage to Zeffirelli's friend, internationally acclaimed opera diva Maria Callas, whom he directed on stage in Norma, La traviata, and Tosca.
