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  1. Oct 24, 2017 · A look at the story structure of the 2010 Oscar winning movie. One of the best things screenwriters can do to elevate their understanding of the craft is to create a scene-by-scene breakdown of an existing movie.

  2. May 5, 2024 · Formalist: Focuses on the technical elements (cinematography, editing, sound, etc.) and how they create meaning. Narrative: Examines the story, characters, and themes of the film. Ideological: Looks at how a film reflects or challenges social, political, or cultural ideas.

  3. Dec 30, 2021 · Joe Miller frequently takes anti-discrimination or social-cause cases, and he and Andy initially meet when Joe is suing a developer for gentrification and Andy is defending them. But Joe is homophobic and scared of AIDS (mostly due to misinformation and everything we didn’t know) so he refuses.

  4. Mar 3, 2024 · In the opening scene, to introduce the idea of self-obsession and its impact on relationships, Fincher employs a point-of-view scene, establishing Zuckerberg as the focus of the picture. Zuckerberg stands out against the dull dark background in his light-colored hoodie and contrasts with Erica.

  5. Cady’s interpretation of how to play the social game changes throughout the movie- that’s her personal development as a character, and that’s what makes the movie so goddamn compelling- she ...

  6. Dec 17, 2013 · To stick to the signs and codes of romance: the sign of a broken heart means lost love, and if you add the broken heart to the signs of two people, the three signs together, the code, anyone will read into it that the couple has broken off their relationship. Filmic Code. Four types of signs and codes exist in semiotic analysis of film ...

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  8. Feb 10, 2021 · By placing the film in a particular context, this type of analysis asks how the film models, challenges, or subverts different types of relations, whether historical, social, or even theoretical. For example, the clip from Vertigo depicts a man observing a woman without her knowing it.

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