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    • His House. The best types of horror films are more than just a trickbox of scares. Some are character studies, others explore deeper themes or grapple complex social issues, and a few manage to move you in more ways than just a raising of the pulse.
    • Ammonite. On a windswept cliff in 19th century England, two unfulfilled women chance to meet. One is Mary Anning (Kate Winslet), a paleontologist whose gender keeps her out of the higher echelons of her field, even as male scientists enthuse over her findings; the other is Charlotte Murchinson (Saoirse Ronan), a wealthy woman unhappily married to one of those scientists, who's put in Mary's care by her husband.
    • Host. There's a reason everyone's been talking about Host. Aside from the film's juicy 100 percent rating on Rotten Tomatoes, director Rob Savage's idea (which all started with a scary viral tweet) is a brilliantly timely one: a horror film shot entirely over a video call, sort of like a Zoom séance version of The Blair Witch Project.
    • Rocks. Suffragette director Sarah Gavron’s coming-of-age film Rocks was one of the most talked-about films of the year in the UK, and for good reason.
  2. Matthew Vaughn (Outstanding British Film) – Rocketman. Mike Prestwood Smith (Best Sound) – Rocketman. Neal Scanlan (Best Special Visual Effects) – Star Wars: The Rise of Skywalker. Paul Massey (Best Sound Mixing) – Le Mans '66. Paul Kavanagh (Best Special Visual Effects) – Star Wars: The Rise of Skywalker.

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  3. Best-Reviewed Movies 2020: United Kingdom. Want variety? Look to the best U.K. movies of the year, according to the critics. There’s groundbreaking horror – the 100% Certified Fresh His House and Zoom horror smash Host – plus a searing drama that puts you in the deteriorating mind of a man suffering from dementia (The Father), a zing-filled historical comedy (The Personal History of ...

    • Mangrove. Steve McQueen's entire Small Axe series, five exhilarating and eclectic films dealing with the black British and Caribbean community from the 1960s through to the 80s, reveals his unique ability to match art with social conscience.
    • Wolfwalkers. Anyone who has seen The Secret of Kells or Song of the Sea will recognise the Celtic mysticism and the ornate, angular animation favoured by their director, Tomm Moore.
    • I’m Thinking of Ending Things. Charlie Kaufman's mind-bending horror drama is like no other film this year – or any other year, for that matter. Adapted from Iain Reid's novel, it stars the superb Jessie Buckley as a young woman who drives through the snow with her faintly menacing boyfriend, Jesse Plemons, to meet his eccentric parents, Toni Collette and David Thewlis, on their family farm.
    • Ammonite. Kate Winslet gives one of the most dazzling performances of her career as the real-life Mary Anning, whose 19th-Century discoveries of fossils transformed palaeontology, although the credit went to men.
  4. Dec 23, 2020 · Suffragette director Sarah Gavron’s coming-of-age film Rocks was one of the most talked-about films of the year in the UK, and for good reason. Written by Nigerian-British playwright and screenwriter Theresa Ikoko alongside writer Claire Wilson, the film is an empowering, moving, superbly-acted ode to the underestimated resilience of teenage girls.

  5. 7.6 (7.0) A solid, thrilling and often surprising sequel which reinvigorates the franchise with new faces and a well-written story. It pulls at your heart strings, enjoys playing sequel to the original two but most importantly has heart. 6. Wonder Woman 1984. 2020 2h 31m PG-13. 5.4 (293K) Rate. 60 Metascore.

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