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"Breakdown" is so plain and blunt that much of it is almost nonverbal, like a spectacular action sequence that follows the Jeep into a raging stream. (Some of the film's stunt work is dazzling.) Episodes like this, and like a furious confrontation at the end of the story, work much better than the inevitable explication of the plot.
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May 2, 1997 · Action. 96 minutes ‧ R ‧ 1997. Roger Ebert. May 2, 1997. 4 min read. “Breakdown” is taut, skillful and surgically effective, the story of a man who finds himself trapped in a surrealistic nightmare. The story’s setup is more entertaining than the payoff; as Hitchcock observed, suspense plays better than action.
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Russell can be beef-caked and plastic (Escape From New York, Big Trouble In Little China). He can be solid wood (Stargate) and stiff-uppered ( The Thing ). What Mostow achieves with him here is remarkable.
