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"Breakdown" is so plain and blunt that much of it is almost nonverbal, like a spectacular action sequence that follows the Jeep into a raging stream. (Some of the film's stunt work is dazzling.) Episodes like this, and like a furious confrontation at the end of the story, work much better than the inevitable explication of the plot.
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I think he was a working trucker who gradually developed the crime on the side with his pals. The stuff that the film leaves to the imagination (what they actually did with his wife, how they kidnapped/killed/buried the others, how they became disgruntled with their incomes/boring lives/hatred for tourists and hatched the idea in the first place) I find so eerie and chilling.
May 2, 1997 · Action. 96 minutes ‧ R ‧ 1997. Roger Ebert. May 2, 1997. 4 min read. “Breakdown” is taut, skillful and surgically effective, the story of a man who finds himself trapped in a surrealistic nightmare. The story’s setup is more entertaining than the payoff; as Hitchcock observed, suspense plays better than action.
About New York Times Games. Since the launch of The Crossword in 1942, The Times has captivated solvers by providing engaging word and logic games. In 2014, we introduced The Mini Crossword ...
About New York Times Games. Since the launch of The Crossword in 1942, The Times has captivated solvers by providing engaging word and logic games. In 2014, we introduced The Mini Crossword ...
