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"Breakdown" is so plain and blunt that much of it is almost nonverbal, like a spectacular action sequence that follows the Jeep into a raging stream. (Some of the film's stunt work is dazzling.) Episodes like this, and like a furious confrontation at the end of the story, work much better than the inevitable explication of the plot.
May 2, 1997 · Mar 18, 2020. Action packed, edge of your seat, sweaty palm inducing, adrenaline fueled thrill ride. Breakdown is one of those films that's so intense and so well done it just gets under your skin and drills itself into your psyche. Kurt Russell is awesome as a yuppie whose car breaks down in the middle of nowhere.
- (19)
- Jonathan Mostow
- R
- Kurt Russell
May 2, 1997 · Action. 96 minutes ‧ R ‧ 1997. Roger Ebert. May 2, 1997. 4 min read. “Breakdown” is taut, skillful and surgically effective, the story of a man who finds himself trapped in a surrealistic nightmare. The story’s setup is more entertaining than the payoff; as Hitchcock observed, suspense plays better than action.
I think he was a working trucker who gradually developed the crime on the side with his pals. The stuff that the film leaves to the imagination (what they actually did with his wife, how they kidnapped/killed/buried the others, how they became disgruntled with their incomes/boring lives/hatred for tourists and hatched the idea in the first place) I find so eerie and chilling.
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