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      • Benediction,” Terence Davies’ achingly beautiful portrait of the English war poet and soldier Siegfried Sassoon, is a movie of acute sadness and intense pleasure. The pleasure and the sadness are inextricable, which seems fitting, given how closely aesthetic bliss and moral despair were entwined in Sassoon’s own art.
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  2. Jun 3, 2022 · Reviews. Benediction. Drama. 137 minutes ‧ PG-13 ‧ 2022. Odie Henderson. June 3, 2022. 5 min read. “Benediction” bears the distinctive stamp of its writer/director, Terence Davies, a man whose films feel more like poetic meditations on moods, emotions, and events than straightforward narratives.

    • The Lodger

      So help me, this is a genuinely funny movie. It’s the first...

  3. Sep 13, 2021 · Terence Davies’ ‘Benediction’: Film Review | TIFF 2021. Jack Lowden and Peter Capaldi play World War I English poet Siegfried Sassoon in his younger years and his ruminative old age,...

  4. Sep 19, 2021 · Critics Pick. ‘BenedictionReview: Terence Davies Finds Room for Himself in a Heartbreaking Siegfried Sassoon Biopic. Not every temporal shift lands in this ambitiously conceived study of the...

    • Guy Lodge
  5. Mar 8, 2022 · Running alongside the film's more elegiac sweep is a cut-glass wit that marks many of these encounters and an uneasy melancholy generated by Sassoon's inability to fully reconcile his own feelings that culminates in his turning from the warm and witty Lowden to the barren-spirited Capaldi.

  6. It isn't an easy watch, but Benediction uncovers a profoundly affecting drama in the real-life story of a combat veteran whose poetry warned against the horrors of war. Read Critics Reviews

    • (154)
    • Terence Davies
    • PG-13
    • Jack Lowden
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  7. May 31, 2022 · Richard Brody on Terence Davies’s masterly film “Benediction,” which centers on the life of the poet Siegfried Sassoon and his experiences during and after the First World War.

  8. Jun 2, 2022 · Their experience in the trenches of World War I inspired verse that changed the diction and direction of English literature, and Davies powerfully begins the film with archival images of...

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