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- “Benediction,” Terence Davies’ achingly beautiful portrait of the English war poet and soldier Siegfried Sassoon, is a movie of acute sadness and intense pleasure. The pleasure and the sadness are inextricable, which seems fitting, given how closely aesthetic bliss and moral despair were entwined in Sassoon’s own art.
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Jun 3, 2022 · Reviews. Benediction. Drama. 137 minutes ‧ PG-13 ‧ 2022. Odie Henderson. June 3, 2022. 5 min read. “Benediction” bears the distinctive stamp of its writer/director, Terence Davies, a man whose films feel more like poetic meditations on moods, emotions, and events than straightforward narratives.
- The Lodger
So help me, this is a genuinely funny movie. It’s the first...
- The Lodger
It isn't an easy watch, but Benediction uncovers a profoundly affecting drama in the real-life story of a combat veteran whose poetry warned against the horrors of war. Read Critics Reviews ...
- (154)
- Terence Davies
- PG-13
- Jack Lowden
Benediction: Directed by Terence Davies. With Jack Lowden, Thom Ashley, Orlando Jopling, Christopher Naylor. Legendary 20th century English war poet Siegfried Sassoon embarks on a life-long quest for personal salvation through his experiences with family, war, his writing, and destructive relationships. True salvation can only come from within.
- (3.8K)
- Biography, Drama, History
- Terence Davies
- 2021-12-23
May 20, 2022 · Benediction movie review: Jack Lowden shines in Terence Davies’ unflattering light as Siegfried Sassoon. Terence Davies’ mercurial portrait of the WWI poet is, at times, ferociously good....
- Charlotte O'sullivan
Sep 19, 2021 · ‘Benediction’ Review: Terence Davies Finds Room for Himself in a Heartbreaking Siegfried Sassoon Biopic. Not every temporal shift lands in this ambitiously conceived study of the gay...
- Guy Lodge
Sep 13, 2021 · Six years after taking a contemplative approach to the life of Emily Dickinson in A Quiet Passion, Terence Davies undertakes a thoughtful study of another poet, Siegfried Sassoon, in Benediction...
Mar 8, 2022 · Running alongside the film's more elegiac sweep is a cut-glass wit that marks many of these encounters and an uneasy melancholy generated by Sassoon's inability to fully reconcile his own feelings that culminates in his turning from the warm and witty Lowden to the barren-spirited Capaldi.