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Baroque pop (sometimes called baroque rock) is a fusion genre that combines rock music with particular elements of classical music.
Jan 1, 2013 · Starting from Alfred Schutz’s definition of music as a meaningful context, the paper discusses the social formation of musical meaning by implementing an ideal typification of composer, musician, and listener.
- Andreas Goettlich
- andreas.goettlich@uni-konstanz.de
- 2014
May 24, 2017 · Bringing occupational and organizational sociology into the sociology of popular music, Richard A. Peterson demonstrated the internal logic of cultural production in terms of risk and reward (see Anthologies).
Aug 14, 2018 · The society in which we live thus has great import when we consider how to teach music. In unpacking this notion further, research in the field of ethnomusicology provides detailed analyses that explore the interaction and unique relationship that exists between music, culture, and society.
- Georgina Barton
- 2018
Feb 7, 2006 · From the contrasting viewpoints of a semiology of music and a sociology of musical styles, respectively, musicologists Jean-Jacques Nattiez and John Shepherd both have argued that a purely immanent view precludes an accurate understanding of the symbolic processes at work in and through music.
The sociology of music is hardly a new development. Since the beginning of the discipline, scholars have found music not just “good to think with,” but good for thinking through some of their most celebrated theories.
The term ‘baroque pop’ originated in 1960s music journalism, referring to a trend of using harpsichord in pop songs. ‘Baroque pop’ is now an ornate tag for journalists describing something more complex than most pop music.
