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  1. Box office. $43,116 [1] Bardo, False Chronicle of a Handful of Truths (Spanish: Bardo, falsa crónica de unas cuantas verdades), or simply Bardo, is a 2022 Mexican epic psychological black comedy - drama film co-written, co-scored, edited, produced, and directed by Alejandro G. Iñárritu. [2] The film stars Daniel Giménez Cacho alongside ...

  2. A 'False Chronicle of a handful of truths' is an apt name, because while it's obviously heavily about Inarritu himself, there's some liberties being taken. The main character isn't a director, he's a journalist and a director... and yeah that's pretty much the only difference haha, outside of the character's names.

  3. Bardo: False Chronicle of a Handful of Truths: Directed by Alejandro G. Iñárritu. With Daniel Giménez Cacho, Griselda Siciliani, Ximena Lamadrid, Íker Sánchez Solano.

    • (15K)
    • Comedy, Drama
    • Alejandro G. Iñárritu
    • 2022-12-16
  4. Nov 15, 2022 · Bardo, False Chronicle Of A Handful Of Truths Review. When US-based film director and journalist Silverio Gama (Cacho) wins an award, he returns to his Mexican hometown. There, he must confront ...

  5. Against (Coloniality in) Anglophone Film Criticism: Bardo, False Chronicles of a Handful of Truths/Bardo, falsa crónica de unas cuantas verdades (Alejandro González Iñárritu, 2022) by Dolores Tierney When Bardo, False Chronicles of a Handful of Truths/Bardo, falsa crónica de unas cuantas verdades (Alejandro González Iñárritu, 2022) was released last year, it was wrongly labelled as ...

  6. Nov 18, 2022 · Bardo, False Chronicle of a Handful of Truths. Alejandro G Iñárritu grapples with creative fulfilment and the Mexican diaspora in his sprawling, semi-autobiographical surrealist drama. “M y homeland has many palm trees and the thrush-song fills its air; no bird here can sing as well as the birds sing over there” Brazilian poet Antônio ...

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  8. Nov 28, 2023 · ABSTRACT. Alejandro G. Iñárritu’s Bardo, falsa crónica de unas cuantas verdades/Bardo False Chronicle of a Handful of Truths (2022) raises important questions about the nature of national film culture in the age to global film commerce.

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