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  1. Completed articles should be submitted to the journal’s online submission site at: https://mc.manuscriptcentral.com/asapjournal. Whereas the ASAP/Journal print platform features articles in traditional print format (text and image), the editors will consider essay submissions for the online journal platform in the form of visual, electronic ...

    • Notes to All Contributors
    • Clusters For ASAP/J
    • Reviewing For ASAP/J
    • Author Guidelines For Features and Reviews
    • Style Guide

    ASAP/J welcomes born-digital content such as essays, interviews, reviews, working papers, and photographic, audio, and video works, among other forms. We publish work that articulates new arts movements, critically examines emerging aesthetic practices, discovers new critical methods and vocabularies, and investigates how the contemporary arts conf...

    ASAP/J welcomes pitches for edited clusters on topics of special interest in the contemporary arts. You would be the primary editor for such a cluster, with support from ASAP/J’s editor, Alexandra Kingston-Reese. Our general size for a cluster is 6–10 pieces. If you would like to pitch an edited cluster, please contact Alexandra Kingston-Reese at a...

    ASAP/Jalso publishes single-book reviews as well as review essays on several recent titles. Single-book reviews should be 1,000 to 1,500 words in length; review essays should not exceed 4,000 words. While we primarily review academic titles, we are also eager to publish review essays on clusters of books of fiction, poetry, essays, arts writing, et...

    Manuscripts should be submitted in Microsoft Word.
    Word counts are max. 4000 words for features and max. 1500 words for reviews.
    Interviews, dialogues, and clusters should include an introduction of 200-500 words.
    Submissions should be prepared in accordance with the Chicago Manual of Styleusing endnotes for citations. You may use digital referencing to hyperlink to relevant sources including videos, news st...

    At ASAP/J, we value the intimacy and immediacy of conversation. To this end, we provide a forum for scholars, writers, and artists to converse with one another in ways that eschew publication in traditional academic publications. Given our broad readership base, we prefer an informal conversational style over writing that is too heavy with esoteric...

    • Persea Books. Founded by Michael Braziller and Karen Braziller in 1975, Persea Books is an independent publishing house based in New York City. Some of their most renowned authors are Christine de Pizan, Laura Riding, and Anzia Yezierska.
    • Seven Stories Press. Seven Stories Press was founded in 1995 by Dan Simon. Their books cover a wide range of genres and topics, with many of them having been initially written in French, Greek, Arabic, Russian, Polish, and in many other languages.
    • Joshua Tree Publishing. A Chicago-based company founded in 1985, Joshua Tree provides assistance and support through every step of the publishing process.
    • Black Lyon Publishing. Black Lyon is an Oregon-based publishing company that was established in 2007. They are recognized by the Romance Writers of America and operated by a former corporate marketing executive with an experience of more than 20 years.
  2. May 1, 2019 · Burning Chair Submissions: This indie publishers is open for submissions and accepting unsolicited manuscripts from a variety of different genres. Information about what they’re looking for, and how to submit, is available online.

  3. Submit a Proposal. So you’re interested in publishing with us, what are the next steps? Download and complete our Proposal form. Email the completed form, together with any supporting material (e.g., your CV, a sample chapter, etc.) to an acquisitions editor in the category you'd like to write about (see below).

  4. Please read our submissions guidelines below before sending us your proposal. The History Press welcomes submissions from both new and established authors. If you have a work of historical or general non-fiction you would like to share, we would love to hear from you.

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  6. The publishers below have fantastic reputations and are open to direct, un-agented submissions. In a literary landscape often dominated by gatekeepers and exclusive access, independent presses stand as bastions of opportunity and creativity.

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