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  1. Ariadne auf Naxos (Ariadne on Naxos), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. [1] The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention.

  2. Strauss and Hofmannsthal replace the play in the original version of Ariadne auf Naxos with a prologue, creating the opera that is known today. This version premieres at the Hofoper in Vienna on October 4.

  3. Nov 24, 2022 · All you need to know about Richard Strauss’ backstage comedy — right here… What is the story? Ariadne auf Naxos is an opera within an opera! The first half is a ‘prologue’, which sets the scene for the ‘performance’ in the second half.

  4. Ariadne auf Naxos, Op.60 (Strauss, Richard) Der Bürger als Edelmann, incidental music which originally preceded the opera.

    • Strauss, Richard
    • Op.60 ; TrV 228a
    • IRS 5
    • Ariadne auf Naxos
  5. Jun 18, 2023 · Ariadne auf Naxos is the fruit of the successful creative partnership between Richard Strauss and librettist Hugo von Hofmannsthal who came up with this eccentric idea after quite a few rewrites. Part of the unique flavour of this, the second version, derives from Strauss's brilliant juxtaposition of low comedy and high tragedy.

    • Mark Wigglesworth
    • Richard Strauss
    • Bruno Ravella
    • Hugo von Hofmannsthal
    • ariadne auf naxos strauss1
    • ariadne auf naxos strauss2
    • ariadne auf naxos strauss3
    • ariadne auf naxos strauss4
    • ariadne auf naxos strauss5
  6. Live recording of a performance of Richard Strauss`s opera "Ariadne auf Naxos" ("Ariadne on Naxos") Op. 60 at the Semperoper Dresden in 2000 (opera). ...more.

    • 79 min
    • 18.4K
    • wocomoMUSIC
  7. As this guide delves into music, drama, and design of Ariadne auf Naxos, students will learn to appreciate the outrageous comedy and insightful social critique of Strauss’s work while broadening their thinking about performance and music at large.

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