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  1. May 10, 2021 · Dances are choreographed to exhibit technique, entertain, express an idea, provoke shock value, display shapes or a motif – among many other reasons depending on the artistic intention. Most often, choreographers aim to combine multiple objectives together.

  2. Sep 17, 2015 · It is an expression of all that we feel and want to convey – connection, passion, beauty, romance. The best creative dancers know how to take all that beauty and emotion – and enclose in the simplest movements. We might not get that far today, but here’s how to get started. Creating a persona.

    • A DIALOGUE – The spoken voice has a directness that not only grabs the reader, but is key to developing character. Dialogue with the reader is another great way to open a story, in which case you will probably want to use the second person (i.e.
    • A CHASE – A hunt or chase scene yields lots of opportunity for action, intrigue and mystery. Who’s after what? Will they get it? What will happen if they do?
    • A MONOLOGUE – Self-talk, a telephone conversation or a speech can be just as revealing as a dialogue. In fact, it can sometimes be difficult to categorise them.
    • A DEPARTURE – A man goes on a journey or…
    • Focus on One Section
    • Budget Your Time
    • Don't Use Videos as A Reference
    • Dance to A Different Layer in The Music
    • Don't Hit Every Single Beat
    • Utilize Concepts to Think of Unique Moves
    • Take A Break
    • Watch This Video When You Hit Choreo Block

    Hone in on the section that you can see that perfect move or combo and branch out from there. Or, break up the choreography into pieces (known as 'chunking') and just choreograph a little bit every day.

    Give yourself a set schedule to choreograph – like a full week with two hour intervals. Don't just say "I'll choreograph later"every day and expect the piece to magically make itself.

    Watching videos is a great way to get inspired, but don’t just use them as a reference for moves. Or else you'll just end up making a piece that's a patchwork of everyone else's choreo, rather than your own.

    If you get stuck on the original pathway you were planning to follow, try highlighting a different layer in the music. For example, forget the bass! What are the lyrics saying? How about the pitch? Moving to different sounds will also help make your piece look more dynamic and less predictable.

    Instead of moving to the most sounds, choose the rightsounds. Be picky with the specific sound you want to follow. You can groove through the rest or just have a moment in stillness, or milking the end of the last move. Breathing through some sounds helps the audience (and your body) absorb a crazy sequence before or after that chill phase, andlift...

    Invent new moves based off of concepts. The potential for concept-based choreography is limitless, because your thoughts and ideas are limitless. Just think of a word (or have someone give you one), and let that be your intention. You'll never run out of movement this way.

    Sometimes... the flow needs to pick up on its own. Instead of forcing it, take a break from your earphones and the mirror. Do something else that'll refresh your mind and soul in a different way. Take a walk! Meditate! Watch a movie!

    These 4 tips will help you get through that block! We hope these dance choreography tips help! Can't wait to see the pieces you come up with. ‍Take class with your favorite choreographersto expand your vocabulary of movement and better understand how to piece moves together. Sign up for STEEZY Studio and start learning!

  3. Idea #1: Create a Hook. A great way to start a story is to draw the reader in with a hook – something that will create intrigue. ‘I’ve often wondered what happened to Steve – did he find the pot of gold at the end of the rainbow?’.

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  5. Mar 26, 2024 · In this blog post, we delve into how certain dance elements, such as form and structure, facings, energy qualities, and personification of body parts, play pivotal roles in conveying narratives and evoking emotions.

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