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Antonello Cozzolino is a feature film and TV series producer at Attraction Images. 18 years of experience in production of feature films, TV series, advertising, transmedia and documentaries.
- Producer
- Antonello Cozzolino
The painting depicts Jesus Christ in anachronistic blue Renaissance attire, making the sign of the cross with his right hand, while holding a transparent, non-refracting crystal orb in his left, signalling his role as Salvator Mundi and representing the ' celestial sphere ' of the heavens.
The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
- Description
- Attribution
- Dating
- Background
- Identity of The Sitter
- Critical Opinion
- Interpretation
- References
- External Links
Composition
This painting was executed in oils and perhaps tempera[n 2] on a small, 44.7 cm × 32 cm (17.6 in × 12.6 in) walnut wood panel. It depicts a young man in bust length and three-quarter view, whose right hand holds a folded piece of sheet music. The painting is largely unfinished save for the face and hair, but is in good condition overall, with only the bottom right corner suffering damage. The art historian Kenneth Clark noted that out of Leonardo's surviving works, the Musician is perhaps the...
The musician
The sitter has curly shoulder-length hair, wears a red cap, and stares intently at something outside the viewer's field of vision. His stare is intensified by careful lighting that focuses attention on his face, especially on his large glassy eyes. He wears a tight white undershirt. The painting of his black doublet is unfinished and his brownish-orange stole is only underpainted. The colors are faded, probably due to minor repainting and poor conservation. Technical examination of the work h...
Sheet music
The stiffly folded piece of paper, which is held in an odd and delicate manner, is a piece of sheet music with musical notes and letters written on it. Due to the poor condition of the lower part of the painting, the notes and letters are largely illegible. This has not stopped some scholars from hypothesizing what the letters say, often using their interpretations to support their theory of the musician's identity. The partially erased letters can be made out as "Cant" and "An" and are usual...
Although the attribution to Leonardo had been controversial in earlier centuries, modern art historians now regard the Portrait of a Musician as one of his original works. Doubts about ascribing the work to Leonardo have existed for almost as long as the painting has been known. Its first appearance in a 1672 catalog for the Pinacoteca Ambrosiana l...
Art historians place the work within Leonardo's first Milanese period (c.1482–1499), due to similarities with other works from this time, including stylistic resemblances to the Lady with an Ermine found via X-ray testing, as well as the treatment of chiaroscuro in the Louvre Virgin of the Rocks, and his sketches for a bronze horse sculpture. Older...
Historical context
The Portrait of a Musician is a radical departure from the prevailing form of portraiture in 15th-century Milan. The Milanese audience was more artistically conservative than others elsewhere in Italy, and would have expected most, if not all, portraits to be in profile, like those by Zanetto Bugatto, Vincenzo Foppa and Ambrogio Bergognone. The sitter's three-quarter profile was already common in Early Netherlandish painting, where portraits were often set against a flat black background. Ant...
Provenance
The Portrait of a Musician is Leonardo's only known male portrait painting and his only panel painting to remain in Milan. Marani noted that the work was likely meant for private use. It is generally thought not to have been among the works gifted to the Ambrosiana by its founder, Cardinal Federico Borromeo, in 1618, which at the time made up the bulk of the museum's collection. It is possible that it may have been given to the Ambrosiana in 1637 by Galeazzo Arconati[it], a noted collector of...
The identification of the sitter as Ludovico was accepted until a 1904–1905 restoration by Luigi Cavenaghi and Antonio Grandi removed a layer of overpaint and revealed a hand holding sheet music. This led scholars to believe that the subject was not Ludovico, but a musician in Milan at the same time as Leonardo. Since this discovery, numerous candi...
The critical opinion of the Portrait of a Musician has historically been mixed, and negative reactions have given some scholars reluctance to grant it a full attribution to Leonardo. The 19th-century art historian Eugène Müntz complemented its "vigor of modeling worthy of Rembrandt", but criticized the work for a sullen expression, poor coloring an...
Due to a paucity of contemporary records, some scholars have proposed theories as to the purpose of the painting. Some believe that the tension in the subject's face is intense because he has just finished or is in the process of performing. Other scholars see the painting as a representation of Leonardo's self-proclaimed ideology of the superiorit...
Portrait of a Musician, Pinacoteca AmbrosianaPortrait of a Musician, Universal LeonardoExplore the filmography of Antonello Cozzolino on Rotten Tomatoes! Discover ratings, reviews, and more. Click for details!
Read the biography of the Italian Renaissance artist and inventor Leonardo da Vinci. What was his most famous painting?
Aug 19, 2024 · Leonardo da Vinci, the Renaissance genius, revolutionized art and science with his masterpieces like the Mona Lisa while pioneering advancements in anatomy, engineering, and invention.
