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Carracci, the archival discoveries of Zapperi-letters from the Farnese to the Carracci and the inventory of Annibale's household-have clarified some minor points in Annibale's Roman period; and the conserva-tion analysis by Carlo Giantomassi and the photography of the Farnese Gallery with the discovery of dates
Published 1999. 304 pages. Prized by collectors and connoisseurs even in his own time, Bolognese artist Annibale Carracci’s drawings are now well known only to a relatively small but highly appreciative audience.
Annibale handles the pen with an entirely personal vigor and authority and uses natural chalk, black or red, to achieve wonderfully suave and vibrant figure modelling.
Annibale Carracci (1560–1609) was the most admired painter of his time and the vital force in the creation of Baroque style. Together with his cousin Ludovico (1555–1619) and his older brother Agostino (1557–1602)—each an outstanding artist—Annibale set out to transform Italian painting.
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The Collection contains two of the cartoons for the ceiling attributed to Agostino Carracci. Annibale's early work included naturalistic genre paintings, like the 'Bean Eaters'. Later he executed landscapes, important precursors of the classical landscapes of Domenichino, Claude and Poussin.
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Annibale Carracci (Italian pronunciation: [anˈniːbale karˈrattʃi]; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome.