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- With its emphasis on contrasts in color, its fine attention to detail, and its sense of grandeur and movement, paintings like River Landscape effectively "invented" the landscape as a legitimate genre for Italian Baroque painting. Here, Carracci produces a fine balancing of forms throughout his canvas.
www.theartstory.org/artist/carracci-annibale/
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Carracci's style was better suited for large-scale decoration programs, while Caravaggio's style was best suited for smaller, simpler canvases. It was the style of Carracci, therefore, that had won out by 1630 and continued to dominate for the rest of the 17th century.
- Biography
During his youth, Annibale Carracci exhibited an idealistic,...
- Critical Reception
Bellori also praised Annibale Carracci's paintings as the...
- The Butcher's Shop
Not only did he help to usher in a new style of naturalism...
- Landscape With Smiling Sunrise
Landscape with Smiling Sunrise; Male Nude Seen from Behind;...
- Coastal Landscape
Landscape with Smiling Sunrise Male Nude Seen from Behind...
- River Landscape
Carracci uses quick, broad brush strokes to capture the...
- Self Portrait in Profile
Self Portrait in Profile - Annibale Carracci Style and...
- The Flight Into Egypt
This is an example of a genre of painting invented by...
- Biography
- Childhood
- Early Training and Work
- Mature Period
- Late Period
- The Legacy of Annibale Carracci
Brothers Annibale and Agostino Carracci was raised in Bologna in an area now known as Via Augusto Righi. Like Caravaggio'sMilan, Carracci's Bologna, a papal state since 1506, was in the midst of an intense religious and scientific upheaval. By the end of the century, the city had undergone significant reconstruction; emerging as a center of academi...
Annibale started his working career as an apprentice goldsmith. In Bellori'a account, part of his training involved learning to draw which he did with his cousin, Ludovico Carracci. Annibale's talent was formally recognized leading to him to being (re)apprenticed to the successful local artist, and prominent Mannerist, Bartolomeo Passerotti. Indeed...
Over the years, the Carracci Academy established itself within the arts circle and was attended by many students, including painters such as Guido Reni and Domenichino. Students and contemporaries of the Academy began to adopt a more naturalistic style. In 1589, the name of the Academy was changed, probably at the request of Agostino, to Academia d...
Cardinal Farnese engaged Carracci on a contract of meals and lodgings and a stipend of 10 scudi per month. The artist worked on the Farnese frescoes for six years, producing works that would represent the very summit of his oeuvre and a landmark in the history of Italian art. The Palazzo Farnese frescoes were a monumental personal achievement for C...
Carracci is hailed as one of the founding fathers of what would become recognized as the Baroque period, and, though his career was relatively short (he died aged just 49), he left a legacy of bold experimentation that effectively dethroned Mannerismas the elite artistic practice. Like other legendary artists, Carracci possessed the will and imagin...
- Italian
- July 15, 1609
- Bologna, Italy
Annibale Carracci (1560–1609) was the most admired painter of his time and the vital force in the creation of Baroque style. Together with his cousin Ludovico (1555–1619) and his older brother Agostino (1557–1602)—each an outstanding artist—Annibale set out to transform Italian painting.
The Collection contains two of the cartoons for the ceiling attributed to Agostino Carracci. Annibale's early work included naturalistic genre paintings, like the 'Bean Eaters'. Later he executed landscapes, important precursors of the classical landscapes of Domenichino, Claude and Poussin.
Frescoes in Palazzo Farnese. Portrait of Giacomo Filippo Turrini. Based on the prolific and masterful frescoes by the Carracci in Bologna, Annibale was recommended by the Duke of Parma, Ranuccio I Farnese, to his brother, the Cardinal Odoardo Farnese, who wished to decorate the piano nobile of the cavernous Roman Palazzo Farnese.
His naturalistic style of the 1580s became the basis for one of the main trends of seventeenth-century art. He also elevated both genre and landscape subjects to a new, independent status in art, and the loose and unfettered execution of seventeenth-century etchings depends more on Annibale's forays into the medium than on any other artist.
Jan 30, 2014 · Greatly influenced by the work of Correggio in Parma and that of Titian, Tintoretto, Veronese, and Jacopo Bassano in Venice, he was able to grasp the artistic possibilities offered by these artists and absorb them into his new style, an approach that has often, unhelpfully, been labeled eclecticism.
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