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- The young but travelled Ana arrives in a manor in the countryside of Spain to work as nanny of three girls and finds a dysfunctional family: the matriarch is a sick old woman obsessed by death and having constant nervous breakdowns; her son José was raised dressing in girl's clothes until his First Communion and is obsessed by military clothes and paraphernalia; Juan, the father of the three girls, a pervert since his childhood, writes pornographic letters to Ana; his wife, Luchy, has suicidal...
www.imdb.com/title/tt0068207/plotsummary/
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Ana y los lobos (English: Ana and the Wolves) is a 1973 Spanish absurdist comedy-drama film directed by Carlos Saura. Starring Geraldine Chaplin as a foreign governess who comes to an isolated house to take care of the children of a convoluted family.
Summaries. A British governess comes to an isolated house to take care of the children of a convoluted family. The young but travelled Ana arrives in a manor in the countryside of Spain to work as nanny of three girls and finds a dysfunctional family: the matriarch is a sick old woman obsessed by death and having constant nervous breakdowns ...
Anna and the Wolves: Directed by Carlos Saura. With Geraldine Chaplin, Fernando Fernán Gómez, José María Prada, José Vivó. A British governess comes to an isolated house to take care of the children of a convoluted family.
- (2K)
- Drama
- Carlos Saura
Ana and the Wolves. One of director Carlos Saura’s most potent allegories for the hypocrisy and repression that defined Francoist Spain follows Ana (Geraldine Chaplin), a young English woman who arrives at a remote Spanish estate in order to work as a governess for three girls.
Jun 2, 2020 · The young but travelled Ana (Geraldine Chaplin) arrives in a manor in the countryside of Spain to work as nanny of three girls and finds a dysfunctional family: the matriarch is a sick old woman obsessed by death and having constant nervous breakdowns.
Carlos Saura's political allegory, ANNA AND THE WOLVES, narrowly avoids turning into a full-on horror flick and traffics much of the same terrain as a surrealist fable, all while aping the style of a heated, family melodrama.
Ana finds herself the object of the unwanted attentions of three oddball brothers: the lecherous father of the children whom she is tasked to help raise, an authoritarian bachelor with a military fetish and an ascetic who retires to a cave in the gardens and learns to levitate.