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  1. Aug 23, 2021 · MAID Trailer (2021) Margaret Qualley, Nick Robinson, Drama Series© 2021 - Netflix

    • 2 min
    • 186K
    • ONE Media Coverage
  2. The official trailer to M. Night Shyamalan’s latest horror movie, Old. Time is of the essence.Old (2021): A couple who is about to get divorced takes their c...

    • 3 min
    • 21.3K
    • Fear: The Home Of Horror
  3. Old Movie Review today! Beyond The Trailer reaction & movie review 2021! M Night Shyamalan! Spoilers! Ending explained! The Beach! SUBSCRIBE: http://bit.ly/s...

    • 13 min
    • 92.4K
    • Beyond The Trailer
  4. Maid: Created by Molly Smith Metzler. With Margaret Qualley, Nick Robinson, Rylea Nevaeh Whittet, Andie MacDowell. After fleeing an abusive relationship, a young mother finds a job cleaning houses as she fights to provide for her child and build them a better future.

    • (104.2K)
    • 2 min
    • TV-MA
    • an old maid movie 2021 trailer review youtube 20171
    • an old maid movie 2021 trailer review youtube 20172
    • an old maid movie 2021 trailer review youtube 20173
    • an old maid movie 2021 trailer review youtube 20174
  5. www.imdb.com › title › tt10954652Old (2021) - IMDb

    Old: Directed by M. Night Shyamalan. With Gael García Bernal, Vicky Krieps, Rufus Sewell, Alex Wolff. A vacationing family discovers that the secluded beach where they're relaxing for a few hours is somehow causing them to age rapidly, reducing their entire lives into a single day.

    • M. Night Shyamalan
    • 31 sec
  6. Jul 22, 2021 · The family in the opening scene consists of Guy (Gael García Bernal), Prisca (Vicky Krieps), Trent (Nolan River) and Maddox (Alexa Swinton).The resort manager tells them about a secluded beach where they can avoid the touristy crowds, and they’re taken there by none other than Shyamalan himself in maybe his most meta cameo (after all, he’s the director, assembling all of his players on ...

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  8. Jul 22, 2021 · Old feels like a repeat of Shyamalan’s 2004 film The Village – it’s provocative and inventive right until the point the director retreats into narrative neatness and conventional emotions.

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