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Far from an objective musical tradition, Latin American music is the history of a musical conversation about Latin America.
- Pablo Palomino
Dec 1, 2021 · As a cultural category, Latin America emerged in the 1930s in direct relation to music, an issue Palomino elegantly demonstrates through the analysis of four case studies framed mostly between the 1900s and 1920s, which had little or nothing in common with one another.
The University of Texas at Austin, 2016 SUPERVISOR: Robin Moore This study focuses on “Latin Alternative” music in the United States, specifically in New York City, from 2000-2016. An indefinable genre, Latin Alternative challenges existing parameters of Latin music and Latinidad.
This is a brief lesson plan which aims at providing music teachers with tools to incorporate some Latin-American popular music in a course on musical form. Goal: Students will become acquainted with four theme types common in some Latin-American popular music genres.
The Invention of Latin American Music: A Transnational History. By Pablo Palomino. New York: Oxford University Press, 2020. Pp. 260. Illustrations. Notes. Bibliography. Index. $99.00 cloth; $35.00 paper.
Aug 7, 2023 · The result is an original contribution to the history of music in the Americas with a focus on efforts to promote collaboration across national borders, and to institutionalize scholarship and build archives. Through those efforts, a Latin American musicology began to take shape.
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Oct 1, 2021 · The Invention of Latin American Music: A Transnational History. By Pablo Palomino. New York: Oxford University Press, 2020. ISBN 9780190687410. Paper. Pp. 260. $39.95.
