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This book deals with the crucial role of one among those projects: that of promoting a distinct musical discourse, recognizable within the world’s polyphony, The Invention of Latin American Music. Pablo Palomino, Oxford University Press (2020). © Oxford University Press.
- Pablo Palomino
Dec 1, 2021 · As a cultural category, Latin America emerged in the 1930s in direct relation to music, an issue Palomino elegantly demonstrates through the analysis of four case studies framed mostly between the 1900s and 1920s, which had little or nothing in common with one another.
The University of Texas at Austin, 2016 SUPERVISOR: Robin Moore This study focuses on “Latin Alternative” music in the United States, specifically in New York City, from 2000-2016. An indefinable genre, Latin Alternative challenges existing parameters of Latin music and Latinidad.
This is a brief lesson plan which aims at providing music teachers with tools to incorporate some Latin-American popular music in a course on musical form. Goal: Students will become acquainted with four theme types common in some Latin-American popular music genres.
Aug 7, 2023 · The result is an original contribution to the history of music in the Americas with a focus on efforts to promote collaboration across national borders, and to institutionalize scholarship and build archives. Through those efforts, a Latin American musicology began to take shape.
The Invention of Latin American Music: A Transnational History. By Pablo Palomino. New York: Oxford University Press, 2020. Pp. 260. Illustrations.
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It describes the decades of inter-American and radical musical Latin Americanism in the region from the 1950s to the 1970s, the expansion of the “Latin music” market in the United States and Latin America since the turn of the twenty-first century, and the naturalized meanings of Latin American music in contemporary culture.
