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Free movies to watch in youtube about the Second World War, there are more than I expected.
Embark on a clandestine journey through the shadows of wartime intrigue with our riveting movie playlist: 'Spies and Resistance: Silent Heroes.' Uncover the ...
Royal Navy at war. Dive into the depths of naval heroism with our meticulously curated movie playlist: 'The Royal Navy. Tides of Triumph: Featuring The Royal...
Apr 29, 2021 · The Great Escape. MGM. "Come for the dramatized retelling of the honest-to-goodness bonkers escape from the Stalag Luft III prison camp. Stay for the shots of a guy jumping a Triumph TR6 Trophy ...
- Mrs. Miniver (1942) Director: William Wyler. Despite being pilloried by the London critics, this sentimental MGM homage to the plucky limeys resisting the beastly Germans was much more popular with British audiences than any indigenous snapshot of Home Front life.
- The Next of Kin (1942) Director: Thorold Dickinson. Released in the same year as Charles Frend’s The Foreman Went to France and Harold French’s Unpublished Story, Thorold Dickinson’s realist treatise on careless talk opens with a stark accusation: “This is the story of how YOU unwittingly worked for the enemy.”
- Went the Day Well? (1942) Director: Alberto Cavalcanti. Despite the German gravestones in the prologue, the shattering of the rural idyll of Bramley End still comes as a shock in this loose adaptation of the Graham Greene story, ‘The Lieutenant Died Last’.
- Fires Were Started (1943) Director: Humphrey Jennings. British cinema perfected the docudrama during the Second World War, with Charles Frend’s San Demetrio London (1943) and Pat Jackson’s Western Approaches (1944) among those to take their cues from Humphrey Jennings’ tribute to the Auxiliary Fire Service, which also featured in Basil Dearden’s The Bells Go Down (1943).
Directed by Oscar winner Kevin Macdonald, documentary My Enemy’s Enemy tracks Barbie’s war crimes as an SS commander before fleeing to South America and finally being discovered and tried ...
Originally made as a five-hour miniseries for German TV, cut to feature-length for worldwide consumption and finally expanded again to a 210-minute ‘director’s cut’, Wolfgang Petersen’s ...
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