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Pioneered by the architect Walter Gropius, Bauhaus was the name of an art school located in the city of Weimar. The name was an inversion of hausbau (‘house design’), a clue that Gropius wanted to revolutionise the way houses and their contents were imagined. The Bauhaus school operated from 1919 to 1933, when it was closed down by the Nazis.
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Weimar Classicism (German: Weimarer Klassik) was a German literary and cultural movement, whose practitioners established a new humanism from the synthesis of ideas from Romanticism, Classicism, and the Age of Enlightenment. It was named after the city of Weimar, Germany, because the leading authors of Weimar Classicism lived there.
16 hours ago · It was during this time of political uncertainty that the English artist and picture dealer Alexander Day (1773–1841), resident in Rome between 1774 and 1815, formed a partnership with the Roman restorer Pietro Camuccini (1760–1833) and began trading in the large number of premium artworks that were suddenly becoming available. 70 Day’s contacts with potential British buyers combined ...
Eschewing the idealism and utopianism that marked the first decade of the 20 th century and disillusioned by a World War that wreaked havoc on bodies and society, the artists associated with Neue Sachlichkeit, or New Objectivity as it is translated in English, presented an unsentimental realism to address contemporary culture.
It is this picturing that makes Neue Sachlichkeit, once dismissed, look current again. “New Objectivity: Modern German Art in the Weimar Republic 1919–1933,” organized by the Los Angeles County Museum of Art in association with Fondazione Musei Civici di Venezia, will be on view at LACMA Oct. 4, 2015– Jan. 18, 2016.
Aug 12, 2019 · Laserstein's place in mainstream histories of Neue Sachlichkeit painting, let alone modern art, had until the 1980s remained marginal. 12 Yet by the time the term Neue Sachlichkeit was established in the artistic and popular culture of the Weimar Republic, Laserstein was relatively well known. Between 1928 and 1933, the artist's most productive years, her work was shown at twenty exhibitions ...
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Aug 12, 2019 · Contributions by Nina Lübbren and Elinor Beaven consider the dialectics of gender, regionalism and nationalism at play in the works of sculptor Gela Forster and painter Elsa Haensgen-Dingkuhn respectively and in doing so, build on pioneering work by scholars who have examined the gendered constraints of the Weimar Republic.74 In ‘Regional Women Artists and the Artist as Mother’, Beaven ...
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